{"id":607,"date":"2022-06-23T21:34:32","date_gmt":"2022-06-23T21:34:32","guid":{"rendered":"https:\/\/tirinha.com\/homebodies-de-calvin-ma-olhando-de-fora-para-dentro\/"},"modified":"2022-06-23T21:34:32","modified_gmt":"2022-06-23T21:34:32","slug":"kalvin-va-ma-ning-uy-bekalari-tashqaridan-ichkariga-qarab-turishibdi","status":"publish","type":"post","link":"https:\/\/tirinha.com\/uz\/607\/homebodies-de-calvin-ma-olhando-de-fora-para-dentro\/","title":{"rendered":"Kalvin Ma tomonidan yaratilgan "Uyda yashovchilar", tashqaridan ichkariga qaragan holda."},"content":{"rendered":"
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\nMen Calvin Ma ning Sherrie Gallerie dagi sentyabr oyidagi ko'rgazmasi uchun kartani birinchi marta ko'rganimda, uni ko'rishni zo'rg'a kutgandim. Uni ko'rganimda, ishtiyoqim biroz shoshqaloqlik qilmaganmidim deb o'yladim. Ma's hayvon instinktlari, <\/i>Uyda yashamagan hayvonlarga nisbatan g'alati tarzda ifodalangan inson qiyofalari bilan to'la manzara juda g'alati.<\/span>
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\nBiroq, ikkala munosabatim ham \u2013 biri uning ahmoqona zavqiga, ikkinchisi esa uning noqulay siriga \u2013 bu o'ziga xos, deyarli haddan tashqari batafsil asarni qadrlashda bir xil darajada muhim ko'rinadi. "O'ziga xos" so'zi tanqidiy ma'qullash atamasi sifatida tobora ko'proq qo'llanilsa-da, men uzoq muddatli estetik tushuncha yoki avlodlar davomida o'zining jozibadorligini saqlab qoladigan tushuncha sifatida ikkilanib qolaman.<\/p>\n\n\n\n\n
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Kalvin Ma, Oldinga qarang. <\/i>Ce<\/span>Ramik, emal, dog'. 12x5x7\u2033.
Sherrie Gallerie tomonidan taqdim etilgan<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Kalvin Ma, batafsil ma'lumot, Oldinga qarang.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

"Qurilish" atamasi Ma asarlariga "haykaltaroshlik"dan ko'ra mosroq ko'rinadi, chunki ularda qo'g'irchoqlar va yumshoq hayvonlarga xos bo'lgan bo'rttirilgan bo'g'inlar va o'zaro bog'langan elementlar mavjud. Ular majoziy, ammo realistikdan ko'ra ko'proq dekorativ va mavhumroqdir. Rassom mayda detallarni yaratishga cheksiz e'tibor bergan bo'lsa-da, bu e'tibor ko'rinadigan voqelik illyuziyalarini yaratishga sarflanmagan. Biroq, ular ichki ko'z ko'radigan narsalarning chuqur realistik, aniq tasvirlari bo'lishi mumkin. <\/span><\/p>\n

Ma ko'zlarning deraza sifatidagi metaforasini o'rganadi. Ko'pgina figuralarning ko'zlari ramkalar va tokchalar orqasida joylashgan, ammo biz hali ham nima uchun bunday bo'lganiga hayronmiz, chunki ifoda juda tekis: qo'shimcha qatlam bilan himoyalanadigan hech narsa yo'qdek tuyuladi. Agar biz figuraning shaxsiy hayotiga tajovuz qilishga harakat qilsak, qiziqarli hech narsa yo'qdek tuyuladi. Bu soyali ko'zlar na ma'lumot, na ifoda berayotgandek tuyuladi. <\/span>

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Kalvin Ma, figura hayvon instinktlari<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Lekin Ma ichki ko'z bilan shug'ullanadi; biz qidiruvni davom ettirishimiz mumkin. Turli xil figuralarning boshlarining yon tomonlarida ko'proq derazalar bor va ularda bizni qiyshaytirib kuzatib turgan yashirin figuralarni topamiz. Ularning o'zlarining maxfiy boshlari to'liq shakllangan va ular yashiringan joylardan tashqariga qarab turishadi.<\/span>
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\nYashirin chordoqlardan mo'ralab turgan bu kutilmagan yuzlar, ularni topishni kutmagan joylarda, bizga Anna Frankni, qochoq amerikalik qullarni yoki asrlar davomida ta'qibchilar tomonidan aniqlanmaslik yoki ushlanib qolmaslik uchun havosiz chordoqlarda saqlangan millionlab boshqa odamlarni eslatadi.<\/span>
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\nMa xalqining boshliqlari o'zlariga alohida uylardir: Ma ularni aniqlik va she'riyat bilan "uy egalari" deb ataydi.<\/span>
\nYon oynalardagi odamlarni rassomning boshiga qamalib qolgan odamlar sifatida ko'rish mubolag'a bo'lmaydi - xuddi hammaning boshiga qamalib qolganlar kabi. Ma ijtimoiy xavotir masalasi haqida shaxsan gapiradi va ushbu asarning motivatsiyasini o'zining ichki hayotini boshqalar bilan muloqot qilishdan afzal ko'rgan uyatchan inson sifatidagi haqiqati bilan bog'laydi. U his-tuyg'ular holatini ifodalashning ajoyib aniq va kuchli usulini topdi. <\/span><\/p>\n\n\n\n\n
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Kalvin Ma, Cho'zilgan ingichka. <\/i><\/span>Keramika, sir, dog', 14x6x9\u2033
Sherrie Gallerie tomonidan taqdim etilgan<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Onamning uy hayvonlari dunyoni faqat idrok, ko'rish va fikrlash orqali anglamaydilar. Ko'rgazmadagi bir nechta figuralar, shuningdek... Yupqa cho'zilgan,<\/i> Yurak va ichaklarni topadigan portallar, boshqa joylarda esa barchamiz xavotirlarimiz tartibsizlik va og'riq sifatida namoyon bo'lishini bilamiz.<\/span>
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\nUshbu shoudagi barcha figuralar hayvonlar bilan juftlashtirilgan. Ularning aloqalari oson emas. Odamlar muvozanatni noaniq saqlaydilar, chunki ular mexanik bo'g'imlarga ega odamlar kabi qo'pol yoki turlar o'rtasida unchalik yaqinlik yo'q. Bu shuningdek, hayvonlar introvert bo'lishi mumkin. Ular yolg'iz bo'lishni xohlashadi.<\/span>
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Kalvin Ma, Orqaga yiqilish, <\/i>tafsilot, tulki
Qorin pastga, yuqorida inson qiyofasida.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

"Orqaga yiqilish" asarida tulki va odamning boshi bilan yiqilishi tasvirlangan tafsilot tulkining qornida eshik borligini ko'rsatadi. Ko'pgina hayvonlarda bunday teshiklar bor, lekin ular ularni yashiradigan tarzda joylashtirilgan. (Ma bunday tafsilotlarni, hatto ularni ko'rish dargumon bo'lsa ham, kiritish uchun yetarlicha puxta.) Biroq, bu shuni ko'rsatadiki, odamlar va hayvonlar o'rtasidagi bog'liqlik ularning munosabatlarida emas, balki barchasi asl shaklda yovvoyi ekanligi g'oyasida bo'lishi mumkin. Nima uchun biron bir jonzot yo'q bo'lib ketadi? Jamiyatning mukofotlari ularga berilgan va'dalarni chindan ham bajaradimi? Bizning o'z kompaniyamiz shunchalik kambag'almi yoki haqoratlimi?<\/span>
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\nVizual jihatdan, bu shou menga biroz zerikarli tuyuldi. Aniqrog'i, bir xil o'lchamdagi, rangdagi, naqshli va konsepsiyadagi materiallarda tez-tez va samimiy takrorlangan tafsilotlarga haddan tashqari e'tibor meni deyarli zeriktirib yubordi deb o'ylardim.<\/span>
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\nLekin menimcha, zerikarli tuyulgan narsa Ma ishining eng katta jozibadorliklaridan biriga aylandi. Ko'rgazmaga bir hafta qolganida, to'rt xonali narxlarga qaramay, ikkita asar to'liq sotilib ketishiga oz qoldi. <\/span>
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\nMenimcha, qiziq bo'lmagan o'xshashliklar, ehtimol, Ma asarining jamoatchilik va xaridorlar uchun katta jozibadorligining bir qismidir. Xususiyatlar, shakllar va ranglarning takrorlanishini Ma avtoportreti bilan juda yaxshi tushuntirish mumkin. Shunday qilib, bu shunchaki ko'p marta paydo bo'ladigan narsani tasvirlashning bir usuli. <\/span>
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\nEhtimol, dramatik farqning yo'qligi fikrning bir qismi bo'lishi mumkin. \u201cBiz hammamiz boshimizda yashaymiz. Biz yashirin joylardan olgan qiyshiq qarashlarimiz tufayli buzilgan xavotirli fikrlar va dunyoqarashlar bilan yuklanganmiz. Biz, ehtimol, boshqalar kabimiz, lekin qo'rquv bizni tasavvurda buyuk, haqiqatda esa kichik qiladi; bizning mutanosiblik tuyg'ularimiz g'alati.\u201d<\/span><\/p>\n\n\n\n\n
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Kalvin Ma, Ortda qolish<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


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\nBu meni Ma figuralarining "o'ziga xos" jihatiga qaytaradi. Ularning tashqi ko'rinishi, albatta, o'ziga xos. Ular retro nuqtai nazardan o'ziga xos futuristik ko'rinishga ega, bu meni lager yoki qisqa muddatli estetikadan qoniqish haqida xavotirga soladi. Biroq, "tashqi ko'rinish"ga haddan tashqari bog'liqlikni yumshatish Ma ning hunarmandchilik va materiallarga bo'lgan sadoqatidir. <\/span>
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<\/span>
\nMa ning ishi puxta intizomli: u bir xil chiziqni bir asarda, hatto katta seriyada ham necha marta takrorlashiga qaramay, hech qanday tafsilotlarni ayamaydi. Hech kim tashqi ko'rinish, uslub yoki munosabat uchun bunday ishlamaydi. Bu hech bo'lmaganda majburiyat va ko'pi bilan ishonch tufayli amalga oshiriladi; muammoni hal qilish yoki sirni ochish; og'riqni yo'qotish yoki biron bir kashfiyotni tan olish uchun joy ochish uchun. <\/span>
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\nMa o'z yo'lidan o'z sur'atida boradi, bu aniq. Men, masalan, halol jarayon manfaatlari yo'lida har qanday natijaga chiday olaman, yo'l davomida yuzaga keladigan kutilmagan hodisalarni tan olish uchun yetarli vaqtga egaman.<\/span><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Quando vi pela primeira vez o cart\u00e3o para o desfile de setembro da Sherrie Gallerie de Calvin Ma, mal podia … <\/p>","protected":false},"author":1,"featured_media":608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/4.bp.blogspot.com\/-Ta9U0ffCgcY\/VgGJZyiuDzI\/AAAAAAAAHRU\/KVayF8aGPlI\/w1200-h630-p-k-no-nu\/LookAhead+small.jpeg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\nHomebodies de Calvin Ma, olhando de fora para dentro - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/uz\/607\/kalvin-va-ma-ning-uy-bekalari-tashqaridan-ichkariga-qarab-turishibdi\/\" \/>\n<meta property=\"og:locale\" content=\"uz_UZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homebodies de Calvin Ma, olhando de fora para dentro - 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