{"id":568,"date":"2022-06-23T21:09:46","date_gmt":"2022-06-23T21:09:46","guid":{"rendered":"https:\/\/tirinha.com\/uma-mulher-desnecessaria-de-rabih-alameddine\/"},"modified":"2022-06-23T21:09:46","modified_gmt":"2022-06-23T21:09:46","slug":"rabih-alameddindan-keraksiz-ayol","status":"publish","type":"post","link":"https:\/\/tirinha.com\/uz\/568\/uma-mulher-desnecessaria-de-rabih-alameddine\/","title":{"rendered":"\u2018Rabih Alameddine tomonidan yozilgan "Keraksiz ayol""},"content":{"rendered":"
\n
\n<\/div>\n


<\/b>
\nBayrutning eng mashhur ovozlaridan biri bo'lgan Rabih Alameddine o'zining xalqaro bestsellerlaridan birini davom ettiradi, <\/span>Hakavati<\/i>Obsesif introvertning noyob hayotini ulug'laydigan, Bayrutning go'zalliklari va dahshatlarini yo'l davomida ochib beradigan ta'sirli roman bilan.<\/span><\/b><\/p>\n

Aaliya Sohbi Bayrutdagi kvartirasida yolg'iz yashaydi, atrofi kitoblar uyumlari bilan o'ralgan. Xudosiz, otasiz, ajrashgan va farzandsiz Aaliya oilasining "keraksiz qo'shimchasi". Har yili u yangi sevimli kitobini arab tiliga tarjima qiladi va keyin uni joyiga qo'yadi. Aaliya tarjima qilgan o'ttiz yetti kitob hech kim tomonidan o'qilmagan. <\/span><\/p>\n

Bu hayratlanarli portretda, yolg'iz ayolning hayotining so'nggi inqirozi tasvirlangan, o'quvchilar Aaliyaning Bayrutning o'tmishi va buguni haqidagi tasavvurlar orasida aylanib yurgan sarguzashtlarini kuzatadilar. Adabiyot, falsafa va san'at haqidagi chuqur mulohazalar Livan fuqarolar urushi va Aaliyaning beqaror o'tmishi xotiralari bilan uyg'unlashadi. U qarib borayotgan tanasi va o'z-o'zidan paydo bo'ladigan hissiy qayta tiklanishlar bilan kurashayotgan bir paytda, Aaliya o'zi qoldirgan kichik hayotini yo'q qilish bilan tahdid soladigan aql bovar qilmaydigan falokatga duch keladi.<\/span><\/p>\n

Adabiyotga muhabbat maktubi va uning bizni kimligimizni belgilash kuchi sifatida iste'dodli Rabih Alameddine bizga Yaqin Sharqdagi yolg'iz ayolning tanho hayotining o'ziga xos talqinini berdi.<\/span>

<\/b>
\nMENING FIKRLARIM:<\/b>
Men bu kitobni Instagramda boshqa o'quvchilar tomonidan tavsiya etilganini ko'rdim va uni mahalliy kutubxonalarimdan birida topdim.<\/p>\n

Bu o'ziga xos ong oqimi romani. Aaliya yolg'iz yashaydigan va hech qachon farzand ko'rmagan yetmish yoshli livanlik ayol. Uning kuchli introvert tabiati boshqalarning uni bilmasligiga, uning serhosil ichki dunyosiga tegmasligiga kafolat beradi. Aaliya ellik yildan ortiq vaqt davomida o'zida saqlab kelgan sirga ega. Har yil boshida u sevimli klassik yoki falsafiy kitobni o'z ona tili - arab tiliga tarjima qilish bo'yicha yirik loyihani boshlaydi.<\/p>\n

Har bir loyiha oxirida u uni yig'ishtirib, keyingisiga o'tadi, chunki Aaliya nashriyotchilikni amalga oshirish mumkin bo'lmagan orzu deb hisoblaydi. Uning bunday fikrlashining ikkita juda yaxshi sababi bor.<\/p>\n

a) Bunday tarjimalarga hech qachon nashriyotga loyiq bo'lish uchun yetarli talab bo'lmaydi. Boshqacha qilib aytganda, u qilayotgan ishlar uchun bozor yo'q.
b) U shunchaki avvalgi tarjimalaridan tarjima qilmoqda, chunki uning boshqa tillari ingliz va fransuz tillari. Bu uning ishini rus va nemis tillarini o'z ichiga olgan asl nusxalardan bir qadam oldinga suradi. Shuning uchun uning falsafasi "yaratish va qurish" va bu keltiradigan qoniqish uni yildan-yilga davom ettirishga asosiy turtki bo'ladi. "Men hech qanday sa'y-harakatlarimsiz, menga baxt tashrif buyuradi."\u2018<\/p>\n

U shuningdek, "Men stolimda o'tiraman va to'satdan hayotim boshqacha bo'lishini istamayman. Men bo'lishim kerak bo'lgan joydaman. Yuragim zavq bilan to'lib-toshadi. Men o'zimni muqaddas his qilaman", deydi. Bu boshqalarga umuman noma'lum bo'lgan narsa bilan o'zini sudrab yurish uchun yetarli sababmi? Menimcha, shunday. Bu bizga xuddi shu sababga ko'ra o'z jimgina ishlarimiz bilan shug'ullanishga ruxsat beradimi? Albatta, nega endi yo'q!<\/p>\n

\"KeraksizKitob davomida Aaliya ismi eng yaxshi sabablarga ko'ra uchraydi. U hech qachon boshqalarga o'zining qanchalik bilimli ekanligini sun'iy ravishda bildirmaydi, chunki u qo'shnilari bilan kamdan-kam gaplashadi. Uning buyuk mualliflarning asarlari haqidagi mulohazalari har doim ichkidir va u hech qachon hech kimni hayratda qoldirishni niyat qilmaydi. U foydasiz va ortiqcha bo'lishning yashirin yukini ko'tarib yurgan bo'lsa-da, mualliflarning so'zlari unga tasalli va quvonch bag'ishlaydi. Uning hayoti haqiqatan ham o'quvchi bo'lishning eng yaxshi afzalliklaridan biri buyuk fikrlar va g'oyalarni qabul qilish va ularni o'zimiznikiga aylantirish ekanligini ko'rsatadi, xuddi ko'k rangga bo'yalgan gortenziya barglari kabi.<\/p>\n

Bu ham ko'zni ochadi. Men o'zimni juda ko'p kitobxon deb hisoblayman, lekin u tilga olgan bir nechta donishmandlar haqida hech qachon eshitmaganman. Goodreadsga bir nazar tashlasam, men ham bu fikrni boshqa ko'plab sharhlovchilar va hatto kitob qahramonlari bilan baham ko'raman shekilli. (Bu yerda kichik spoyler, men uning qo'shnisi Joumananing "Anna Karenina"ni olib, "Xudoga shukur, men bu haqda eshitganman" deganini eslayapman.) Lekin ba'zi bir noaniq yozuvchilarning Aaliyaga ta'siridan ko'rinib turibdiki, muhim bo'lish uchun mashhur bo'lish shart emas.<\/p>\n

Keling, uning faylasuf qahramonlaridan biri Fernando Pessoadan ushbu misolni olaylik. "Yuqori darajadagi insonga loyiq yagona munosabat - bu u foydasiz deb bilgan faoliyatda davom etish, bepusht deb bilgan intizomga rioya qilish va u mutlaqo ahamiyatsiz deb hisoblagan falsafiy va metafizik fikrlashning ma'lum normalarini qo'llashdir." Hmm, men bu yigit haqida ko'proq ma'lumot qidirib topishim mumkin.<\/p>\n

Tarix, Bayrutdagi hayot, urush va oilaviy dinamika kabi men tilga olmagan juda ko'p narsalarni o'rganishim kerak. Hikoya ham oddiy, ham murakkab, bir xil. Qiziqarli syujet - bu Aliyaning chinakam aloqada bo'lgan yagona do'sti Xannaning holati. Uning tarixi bizni o'zini aldash va ahmoqlar jannatining tabiati va agar siz baxtli hayot kechirayotgan bo'lsangiz, haqiqiy haqiqat biron bir farq qilishi kerakmi yoki yo'qmi haqida o'ylashga majbur qiladi. Juda qiziqarli narsalar.<\/p>\n

Umuman olganda, menga Aaliya hayotining mavzusi yoqadi, ya'ni mazmunli bo'lish ta'sirchan bo'lish bilan sinonim emas. Men nima uchun bunday taxmin qilishimizni tushunaman. Bizning mulohazalarimiz, ehtimol, quyidagicha bo'ladi: Agar biz boshqalarga yordam berish uchun kelgan bo'lsak, biz ularga haqiqiy foyda keltirganimizda va odamlar biz haqimizda gapirganda, maqsadimizni yaxshiroq bajaramiz, agar biz ishimizni qutilarga solib qo'ysak, bu sodir bo'lmaydi. Ammo bu hikoya bizni mazmunlilik ta'rifimizni kengaytirishga undaydi. Men Aaliyaning boshqalarga qarashdagi o'z namunasiga ergashdim va agar kimdir mutaxassis bo'lsa, bu sohada mutaxassis bo'lgan Viktor Franklga qaytdim. Uning ta'kidlashicha, biz ma'noni a) sevgimizdan, b) ishimizdan va c) azob-uqubatlarimizdan olamiz. Aaliyaning tarjimalariga bo'lgan ishtiyoqi bu talablarning barchasiga javob beradi va Frankl hech qayerda boshqalar biz yaratgan kashfiyotlarga ishonishlari kerakligini aytmaydi.<\/p>\n

Aaliya tirik epifaniya, garchi paradoksal ravishda u epifaniyalarni yomon ko'rsa ham. Uning uchun ular sentimental va zerikarli. \u201cHurmatli zamonaviy yozuvchilar, sizlar meni o'zimni noloyiq his qildirasiz, chunki mening hayotim sizning hikoyalaringiz kabi aniq va ixcham emas.\u201d Shunday qilib, u ba'zan biroz g'azablangan va kinoyali ko'rinsa-da, u mening shaxsiy qahramonlarim va o'rnaklarimdan biriga aylandi. Bundan buyon, men o'z kompyuterimda ishlayotganimda, Aaliyani o'zining spartan kvartirasida o'tirib, tarjimalari ustida tinimsiz ishlayotganini eslayman. Uning ta'sirining yo'qligi men uchun juda ta'sirli. Bizning davrimizda shaxsiy qoniqish biz tanlagan yaxshi ishni oqlash uchun yetarli bo'lishi mumkin deb kim o'ylardi, lekin ehtimol, haqiqatan ham shundaydir.<\/p>\n

\ud83c\udf1f\ud83c\udf1f\ud83c\udf1f\ud83c\udf1f\ud83c\udf1f<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Uma das vozes mais c\u00e9lebres de Beirute, Rabih Alameddine segue seu best-seller internacional, O Hakawaticom um romance comovente que celebra … <\/p>","protected":false},"author":1,"featured_media":569,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/1.bp.blogspot.com\/-ud3JQRccUM4\/WhiuUaOyVJI\/AAAAAAAACW8\/5E5obDx3W4gllHtTT1lczO9bNMmZ66ZRACLcBGAs\/w1200-h630-p-k-no-nu\/unnecessarywomancover_n.jpg","fifu_image_alt":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-568","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-livros","latest_post"],"yoast_head":"\n'Uma Mulher Desnecess\u00e1ria' de Rabih Alameddine - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/uz\/568\/rabih-alameddindan-keraksiz-ayol\/\" \/>\n<meta property=\"og:locale\" content=\"uz_UZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"'Uma Mulher Desnecess\u00e1ria' de Rabih Alameddine - 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