{"id":1168,"date":"2023-04-16T20:42:50","date_gmt":"2023-04-16T20:42:50","guid":{"rendered":"https:\/\/tirinha.com\/mudanca-metodo-ascensao-social-e-metamorfose\/"},"modified":"2023-04-16T20:42:50","modified_gmt":"2023-04-16T20:42:50","slug":"degisim-yontemi-sosyal-yukselis-ve-baskalasim","status":"publish","type":"post","link":"https:\/\/tirinha.com\/tr\/1168\/mudanca-metodo-ascensao-social-e-metamorfose\/","title":{"rendered":"\u201cDe\u011fi\u015fim: Y\u00f6ntem\u201d, toplumsal y\u00fckseli\u015f ve metamorfoz"},"content":{"rendered":"

<\/p>\n

\n

Yazar \u00c9douard Louis'in yeni otobiyografik roman\u0131 bize sosyal olarak y\u00fckselmek ve d\u0131\u015flanma ve yoksulluktan kurtulmak i\u00e7in \u00f6zel bir "y\u00f6ntem" g\u00f6steriyor<\/h2>\n

Ki\u015fisel geli\u015fimin, ekonomik ve sosyal y\u00fckseli\u015fin hikayesi hi\u00e7 \u015f\u00fcphesizDavran\u0131\u015flar\u0131m\u0131z\u0131 ve isteklerimizi en \u00e7ok etkileyen bask\u0131n anlat\u0131lardan biri<\/strong>fark\u0131nda bile olmadan: d\u00fczinelerce reklam bulmak i\u00e7in herhangi bir sosyal a\u011fda birka\u00e7 dakika harcaman\u0131z yeterli bize g\u00fczelli\u011fin ve ba\u015far\u0131n\u0131n form\u00fcl\u00fcn\u00fc vaat eden, <\/strong>ve bize g\u00fcnl\u00fck ya\u015famda benimsememiz gereken ilham verici modelleri g\u00f6steriyor. Ne zaman yeni bir projeye veya g\u00f6reve giri\u015fsek, Fark\u0131nda olmadan kapitalizmin ko\u015fu\u015fturmacas\u0131na kat\u0131l\u0131yor, rekabet dinamikleri i\u00e7inde yerimizi almaya \u00e7al\u0131\u015f\u0131yoruz.<\/strong> \u00fcretim modelimiz.<\/p>\n

Bazen bu \u00e7abalar sonu\u00e7 verse de, Kendimizi d\u00f6n\u00fc\u015ft\u00fcrme noktas\u0131na kadar toplumsal olarak y\u00fckselme konusunda \u0131srar etmek m\u00fcmk\u00fcn olabilir mi?<\/strong> Bunu ba\u015farman\u0131n y\u00f6ntemi diye bir \u015fey var m\u0131? Bug\u00fcn bizi ilgilendirmeyen kitap, De\u011fi\u015fiklik: Y\u00f6ntem<\/em>kaydeden Edouard Louis Tam olarak bu kavram\u0131 ele al\u0131yor. <\/strong><\/p>\n

Kendi kendine yard\u0131m de\u011fil, otomatik kurgu<\/h3>\n

Gen\u00e7 Frans\u0131z yazar Edouard Louis \u2013 Hen\u00fcz 30 ya\u015f\u0131ndayken be\u015f ba\u015far\u0131l\u0131 roman yay\u0131mlayan<\/strong>- Salamandra taraf\u0131ndan yay\u0131nlanan son \u00e7al\u0131\u015fmas\u0131nda bize bir ki\u015fisel geli\u015fim hap\u0131 sunmuyor, ancak ba\u015fl\u0131\u011f\u0131 \u015funu ima ediyor gibi g\u00f6r\u00fcn\u00fcyor: De\u011fi\u015fiklik: y\u00f6ntem<\/em> toplumsal y\u00fckseli\u015fin otobiyografik bir \u00f6yk\u00fcs\u00fcd\u00fcr,<\/strong> yazar\u0131n azimli yolculu\u011funu anlatan Kuzey Fransa'n\u0131n yoksulluk ve d\u0131\u015flanmayla damgalanm\u0131\u015f k\u0131rsal bir kasabas\u0131ndaki evinden sosyal piramidin tepesine kadar<\/strong>Paris'in entelekt\u00fcel ve k\u00fclt\u00fcrel se\u00e7kinleri taraf\u0131ndan temsil ediliyor.<\/p>\n

Yans\u0131t\u0131c\u0131, d\u00fcr\u00fcst ve duygusal bir otokurgudur.<\/strong> \u00c9douard'\u0131n ekonomik, k\u00fclt\u00fcrel ve s\u0131n\u0131fsal engelleri a\u015fmak i\u00e7in izledi\u011fi titiz "y\u00f6ntemi" detayland\u0131r\u0131yor, Yanl\u0131\u015f anlamalar\u0131n, ayr\u0131mc\u0131l\u0131\u011f\u0131n ve yoksullu\u011fun damgas\u0131n\u0131 vurdu\u011fu bir \u00e7ocukluktan ka\u00e7ma s\u00fcrecinde.<\/strong> K\u00fclt\u00fcr seviyesinin d\u00fc\u015f\u00fck oldu\u011fu ve kaynaklar\u0131n az oldu\u011fu bir ortamda b\u00fcy\u00fcyen kahraman,Y\u00fczlerce kitap okuyup \u201cburjuva\u201d usul ve al\u0131\u015fkanl\u0131klar\u0131n\u0131 benimseyen,<\/strong> Amiens \u00dcniversitesi'nde okumak i\u00e7in akademik ve sosyal d\u00fcnyada y\u00fckselmek ve son olarak Paris'teki prestijli Ecole Normale Superieure'de,<\/strong> Bir\u00e7ok Frans\u0131z entelekt\u00fcelin do\u011fdu\u011fu yer.<\/p>\n

Ancak kendini t\u0131rt\u0131ldan kelebe\u011fe d\u00f6n\u00fc\u015ft\u00fcrme hedefini ger\u00e7ekle\u015ftiren yazar\u0131n g\u00f6r\u00fcn\u00fcrdeki ba\u015far\u0131s\u0131na ra\u011fmen, De\u011fi\u015fiklik: y\u00f6ntem<\/em> Umut verici olmaktan \u00e7ok melankolik, hatta varolu\u015f\u00e7u g\u00f6r\u00fcnen bir roman.<\/strong> Kahraman hedeflere ula\u015ft\u0131k\u00e7a, ba\u015fka yeni ama\u00e7lar ortaya \u00e7\u0131k\u0131yor ve onlarla birlikte tan\u0131d\u0131k \u00e7evreleri, ya\u015fam tarzlar\u0131n\u0131 ve yak\u0131n\u0131m\u0131zdaki insanlar\u0131 terk etmeyi i\u00e7eren yeni de\u011fi\u015fiklikler ortaya \u00e7\u0131k\u0131yor<\/strong>; Fransa'n\u0131n k\u0131rsal kesiminden Amiens'e ve ard\u0131ndan Paris'e ge\u00e7i\u015fi s\u0131ras\u0131nda Louis, Schopenh\u00e4uer'in bahsetti\u011fi Ixion \u00e7ark\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f gibi g\u00f6r\u00fcn\u00fcyor: ger\u00e7ek tatmine ula\u015fmadan arzular\u0131 birbiri ard\u0131na ger\u00e7ekle\u015ftirmeye mahkumdur.<\/strong> Bu ve bunun gibi duygular, kendi \u00e7eli\u015fkilerini ve \u015f\u00fcpheli tutumlar\u0131n\u0131 gizlemeyen yazar taraf\u0131ndan i\u00e7ten ve samimi bir \u015fekilde analiz ediliyor.<\/p>\n

Ki\u015fisel geli\u015fimin karanl\u0131k taraf\u0131<\/h3>\n

Roman\u0131n amac\u0131 Edouard'\u0131n duygusal yolculu\u011funu sunmak ve analiz etmektir. I\u015f\u0131klar\u0131 ve g\u00f6lgeleriyle klasik ki\u015fisel geli\u015fim hikayesine alternatif bir bak\u0131\u015f sunuyor<\/strong> (\u00e7o\u011fu durumda kar\u0131\u015f\u0131k) ve bir \u00f6zellik: her ne kadar de\u011fi\u015fim ve sosyal y\u00fckseli\u015f alg\u0131lansa da D\u00fc\u015fman bir d\u00fcnyadan kurtulu\u015f gibi,<\/strong> yazar "kendini kurtarmay\u0131" hi\u00e7bir zaman bitirmiyor gibi g\u00f6r\u00fcn\u00fcyor \u00e7\u00fcnk\u00fc g\u00fcvenlik ve rahatl\u0131k bir kez sa\u011fland\u0131\u011f\u0131nda, yeni beklentiler ya da yeni bir istek uyand\u0131ran model, elde edilen bar\u0131\u015fa son verir ve \u00c9douard'\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fcnde yeni bir a\u015famaya i\u015faret eder.<\/strong><\/p>\n

Bu \u015fekilde yazar\u0131n kimli\u011fi her zaman bunun tersi etraf\u0131nda in\u015fa edilir: veya bir reddedilme dinami\u011fi arac\u0131l\u0131\u011f\u0131yla<\/strong> (Yazar e\u015fcinsel oldu\u011fu i\u00e7in ya\u015fad\u0131\u011f\u0131 \u015fehirde maruz kald\u0131\u011f\u0131 ayr\u0131mc\u0131l\u0131ktan kurtulmak istiyor) veya daha sofistike bir ya\u015fam tarz\u0131na duyulan ilgi<\/strong> (Asl\u0131nda kitap, Edouard Luis'e yol g\u00f6sterici olacak iki referans etraf\u0131nda yap\u0131land\u0131r\u0131lm\u0131\u015ft\u0131r: Elena ve Didier). Evet g\u00fczel kitap, \u00f6nceden tasarlanm\u0131\u015f de\u011fi\u015fimi ve bunu bir kurtulu\u015f y\u00f6ntemi olarak ger\u00e7ekle\u015ftirme \u00e7abas\u0131n\u0131 ele al\u0131yor,<\/strong> bir gizem sondan sonra da ge\u00e7erlili\u011fini korur, De\u011fi\u015fim ihtiyac\u0131 ko\u015fullardan m\u0131 kaynaklan\u0131yor yoksa ba\u011flamdan ba\u011f\u0131ms\u0131z olarak insanl\u0131k durumunun bir par\u00e7as\u0131 m\u0131?<\/strong> Gizem Y\u00fczy\u0131llard\u0131r filozoflar\u0131n ilgisini \u00e7eken dinami\u011fin sorunu Edouard taraf\u0131ndan da \u00e7\u00f6z\u00fclemez.<\/strong>ne iyi son eserinde edebiyat arac\u0131l\u0131\u011f\u0131yla duygusal bir ar\u0131nma aray\u0131\u015f\u0131ndad\u0131r.<\/strong><\/p>\n

Bu roman hakk\u0131nda konu\u015fmak imkans\u0131z olurdu siyasetten bahsetmeden ve k\u00fclt\u00fcrde siyasetten bahsetmeden.<\/strong> \u00c9douard'\u0131n romandaki ana ba\u015far\u0131s\u0131 elit k\u00fclt\u00fcrel \u00e7evrelere entegre olmakt\u0131r (Edouard "burjuva" olur), Bourdieu'nun daha \u00f6nce bahsetti\u011fi farkl\u0131 s\u0131n\u0131f "ethos"unun \u015foklar\u0131na maruz kalmadan<\/strong>: Bu, Edouard'\u0131n yaln\u0131zca k\u00fclt\u00fcrel okuryazarl\u0131k eksikli\u011fiyle kar\u015f\u0131 kar\u015f\u0131ya olmad\u0131\u011f\u0131, ayn\u0131 zamanda ama ayn\u0131 zamanda m\u00fctevazi k\u00f6kenleri nedeniyle tasavvur bile edemeyecekleri zihinsel \u015femalara, davran\u0131\u015flara ve ya\u015famsal beklentilere de sahiptir.<\/strong> \u00c9douard s\u0131k s\u0131k bu etkilerden ve bunlar\u0131n ekonomik zorluklar\u0131ndan bahsetse de, \u201cs\u0131n\u0131f ihaneti\u201d konusunda bir miktar pi\u015fmanl\u0131k g\u00f6stermenin yan\u0131 s\u0131ra, kitap bu e\u015fitsizliklerin yap\u0131sal nedenlerine de\u011finmiyor. ki\u015fileraras\u0131 ili\u015fkiler \u00fczerindeki pratik etkilerine ilgi g\u00f6stermesine ra\u011fmen.<\/strong><\/p>\n

Yeni ayr\u0131cal\u0131klar, yeni ger\u00e7eklikler<\/h3>\n

Konuyla ilgili en parlak pasajlardan birinde, Edouard'\u0131n \u00e7evresine olan sosyok\u00fclt\u00fcrel mesafesini yans\u0131tan,<\/strong> Yazar, e\u011fer belirli anlarda yeni hayat\u0131ndan bu kadar keyif alabilmi\u015f ve de\u011fer verebilmi\u015fse, Bunun nedeni tam olarak daha sonra g\u00fcnl\u00fck ya\u015famlar\u0131n\u0131 g\u00fc\u00e7lendirecek ayr\u0131cal\u0131klar\u0131n yoklu\u011fudur.<\/strong><\/p>\n

Resmi d\u00fczeyde, De\u011fi\u015fiklik: y\u00f6ntem<\/em> K\u0131vrak ve incelikli bir dille yaz\u0131lm\u0131\u015f bir kitapt\u0131r.<\/strong>yapay olmadan hareket edebilen. Ger\u00e7i kitab\u0131n \u00e7o\u011fu i\u00e7 monolo\u011fu otobiyografik anlat\u0131mla birle\u015ftirir,<\/strong> Louis deneyleri mektupla ve hatta roman\u0131n \u00e7e\u015fitli noktalar\u0131ndaki r\u00f6portajla.<\/strong> Dahil etme Foto\u011fraflar\u0131n ve ekran g\u00f6r\u00fcnt\u00fclerinin manevi devam\u0131 olan bu \u201ckolaj\u0131n\u201d olu\u015fturulmas\u0131 tamamlan\u0131yor. Eddy Bellengueule'e son vermek i\u00e7in<\/em><\/strong>ayn\u0131 yazar\u0131n daha \u00f6nceki bir roman\u0131 daha \u00e7ok k\u0131rsal Fransa'daki hayat\u0131n\u0131n zor y\u00f6nlerine odakland\u0131.<\/strong><\/p>\n

De\u011fi\u015fiklik: Y\u00f6ntem<\/em> \u0130lerledik\u00e7e derinlik kazanan bir roman.<\/strong> ve bu, \u00f6zel temas\u0131 sayesinde \u2013 ki\u015fisel d\u00f6n\u00fc\u015f\u00fcm olarak toplumsal y\u00fckseli\u015f \u2013 benzer tarzdaki di\u011fer otokurgu \u00e7al\u0131\u015fmalar\u0131ndan uzakla\u015fmay\u0131 ba\u015far\u0131yor. <\/strong><\/p>\n

\n

Bunu severim:<\/h3>\n

Severim<\/span><\/span> Y\u00fckleniyor\u2026<\/span><\/p>\n

<\/div>\n

\u0130lgili<\/em><\/h3>\n<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Yazar \u00c9douard Louis'in yeni otobiyografik roman\u0131 bize sosyal olarak y\u00fckselmek ve d\u0131\u015flanmadan kurtulmak i\u00e7in \u00f6zel bir "y\u00f6ntem" g\u00f6steriyor... <\/p>","protected":false},"author":1,"featured_media":1169,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/i0.wp.com\/elgeneracionalpost.com\/wp-content\/uploads\/2023\/04\/portada-cambiar-metodo-1.jpeg?fit=2000,1500&ssl=1","fifu_image_alt":"","footnotes":""},"categories":[35],"tags":[],"class_list":["post-1168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-e-lazer","latest_post"],"yoast_head":"\n"Mudan\u00e7a: M\u00e9todo", ascens\u00e3o social e metamorfose - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/tr\/1168\/degisim-yontemi-sosyal-yukselis-ve-baskalasim\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Mudan\u00e7a: M\u00e9todo", ascens\u00e3o social e metamorfose - 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