{"id":650,"date":"2022-12-27T12:05:34","date_gmt":"2022-12-27T12:05:34","guid":{"rendered":"https:\/\/tirinha.com\/revisao-de-starr-chame-de-alguma-coisa-ou-nao-chame-de-nada-o-progresso-de-maika-carter\/"},"modified":"2022-12-27T12:07:00","modified_gmt":"2022-12-27T12:07:00","slug":"sau-spune-i-cum-sau-spune-i-nimic-progresul-lui-maika-carter","status":"publish","type":"post","link":"https:\/\/tirinha.com\/ro\/650\/chame-de-alguma-coisa-ou-nao-chame-de-nada-o-progresso-de-maika-carter\/","title":{"rendered":"Spune-i ceva sau nu-i spune nimic: progresul lui Maika Carter"},"content":{"rendered":"
\n
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Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
Vedere a peretelui galeriei la Maika Carter's Pentru a v\u0103 conecta
\nEste ceva sau nu-i spune nimic<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00cen mica Camer\u0103 de Proiect de la Columbus College of Art and Design Gallery, proasp\u0103t absolven\u021bi Maika Carter<\/b> face primul s\u0103u show solo, Spune-i ceva sau nu-i spune nimic, <\/i>p\u00e2n\u0103 pe 20 februarie. Nu am v\u0103zut prea mult\u0103 publicitate pentru asta, dar m\u0103 bucur s\u0103 recunosc aceast\u0103 munc\u0103 de a pune sub semnul \u00eentreb\u0103rii frumuse\u021bea \u0219i maturitatea.<\/span>
\n
\n<\/span><\/p>\n

Spectacolul este organizat ca opt<\/span>
\ncapitole ale unei nara\u021biuni fotografice. Progresia sa de la subiect la subiect este clar delimitat\u0103; Con\u021binutul fiec\u0103rei unit\u0103\u021bi este prezentat \u00een imagini distincte, izbitoare, iar mi\u0219carea de la sec\u021biune la sec\u021biune este organic\u0103. Cel mai bine, ultimul capitol constituie o sintez\u0103 a tot ceea ce a ap\u0103rut \u00eenainte. <\/span>Ce a ad\u0103ugat asta? Ceva esen\u021bial \u0219i adev\u0103rat, ambalat \u00een banal \u0219i casual? Sau o afirmare a sensului \u00een acumularea banal\u0103 a vie\u021bii? <\/span><\/p>\n\n\n\n\n
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Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span><\/p>\n

Prima grupare fotografic\u0103 \u2013 de imagini mari \u0219i mici, \u00eencurcate \u0219i fixate \u00een grup\u0103ri g\u00e2nditoare pe perete \u2013 prezint\u0103 pantofi, \u00een mare parte goali. Fotografia alb-negru cu balerinii unul fa\u021b\u0103 de cel\u0103lalt printr-un gol din asfalt are o not\u0103 de simplitate \u00eencrez\u0103toare. \u00cencepem un mar\u0219 sau un tur, dar exist\u0103 o chestiune de direc\u021bie \u0219i scop \u00eenc\u0103 de la primul pas. Cum ne vom umple pantofii, care este scopul, unde vom merge? Fotografiile lui Carter, \u00een alb-negru amestecate cu altele \u00een culori puternice, saturate, nu-mi sugereaz\u0103 at\u00e2t de mult ambiguitate, c\u00e2t sugereaz\u0103 \u00eens\u0103\u0219i condi\u021bia uman\u0103 a dornicii \u0219i hot\u0103r\u00e2rii chiar \u0219i \u00een absen\u021ba unei h\u0103r\u021bi. Imaginile sunt toate cu caractere aldine. Confuzia de direc\u021bie \u00eentre pantofi indic\u0103 nebunie sau indecizie? Sau pur \u0219i simplu faptul c\u0103 via\u021ba ofer\u0103 pu\u021bin\u0103 direc\u021bie?<\/span><\/p>\n\n\n\n\n
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Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Intr\u0103m \u00een capitolul 2 doar pentru a ne g\u0103si \u00een locul celor disp\u0103ru\u021bi, unde lucrurile au disp\u0103rut sau dispar din vederea noastr\u0103. Aceasta este o grupare de fotografii care te prinde nu cu un mesaj puternic, ci cu o durere de triste\u021be care se construie\u0219te pe m\u0103sur\u0103 ce trebuie s\u0103 te apropii de multele imagini mici adunate \u00een jurul celor mai mari. Multe dintre fotografiile de pe ace\u0219ti pere\u021bi nu au mai mult de 3 inci p\u0103tra\u021bi. C\u00e2nd Carter estompeaz\u0103 con\u021binutul, acesta cre\u0219te intimitatea dintre privitor \u0219i imagine, ceea ce duce la un impact emo\u021bional mai mare. Imaginea benzii galbene de avertizare travers\u00e2nd p\u0103tratul ne\u00eempodobit provoac\u0103, prin sugestie, mai mult\u0103 triste\u021be dec\u00e2t <\/span>a\u0219 dori <\/span>o scen\u0103 a crimei ciudat\u0103 \u0219i grafic\u0103.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic. <\/i>Grup
\nfotografie inclusiv artistul.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau spune-i ceva
\nNimic.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span>
\n
\n<\/span>
\nDar urm\u0103toarea sec\u021biune a <\/span> colorat <\/span>fotografiile ne mi\u0219c\u0103 \u00een modul \u00een care reac\u021bion\u0103m la un album de \u00eensemn\u0103ri al unei familii numeroase \u0219i fericite. Carter ne duce la o gam\u0103 larg\u0103 de rude \u0219i prieteni z\u00e2mbitori din mai multe genera\u021bii \u2013 oameni ferici\u021bi s\u0103 fie \u00eempreun\u0103, ferici\u021bi c\u0103 fac ceea ce fac, sim\u021bindu-se speciali \u0219i iubi\u021bi. Sunt sigur c\u0103 aceast\u0103 parte a expozi\u021biei nu va l\u0103sa indiferent niciun spectator. Aranjamentul casual al lui Carter func\u021bioneaz\u0103 frumos aici, unde sim\u021bim spiritul ridicat \u0219i c\u0103ldura inclusiv pe noi. Cred c\u0103 par\u021bial amploarea imaginilor \u0219i faptul c\u0103 trebuie s\u0103 le abord\u0103m de aproape \u2013 de parc\u0103 am r\u0103sfoi un album de \u00eensemn\u0103ri \u2013 o face s\u0103 se simt\u0103 at\u00e2t de incluziv\u0103. Am reac\u021bionat la ei nu ca la fotografiile unor str\u0103ini, ci ca la oameni a c\u0103ror fericire le \u00eemp\u0103rt\u0103\u0219esc. Nu am sim\u021bit nicio barier\u0103. Privitorul este unul din companie \u0219i fericit s\u0103 fie acolo ca membru al familiei acestor oameni.<\/span><\/p>\n

 <\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i>
\nColec\u021bie de fotografii de prietenie.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Citim o autobiografie sau suntem un personaj din autobiografia artistului? Urm\u0103m o poveste despre Everyman? \u00centrebarea nu poate s\u0103 nu vin\u0103 \u00een minte \u00een multe puncte, dar mai ales c\u00e2nd nara\u021biunea coboar\u0103 de la bun\u0103starea social\u0103 \u00eencrez\u0103toare \u00eentr-un capitol de \u0219tergere literal\u0103 \u2013 o moa\u0219te de descurajare, dac\u0103 vrei. <\/span>
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Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic<\/i><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Carter ne ofer\u0103 multe imagini atractive ale oamenilor, dar cu fe\u021bele sau capetele lor \u00eence\u021bo\u0219ate sau decupate din cadru. Z\u00e2mbetele, conexiunile amicale au disp\u0103rut \u00eentr-un nou mediu de izolare \u0219i anonimat.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva
\nsau Nu-i spune nimic.<\/i><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Nara\u021biunea continu\u0103 prin alte c\u00e2teva capitole care alterneaz\u0103 aproximativ \u00eentre prezen\u021b\u0103 \u0219i absen\u021b\u0103, \u00eentre securitate socializat\u0103 fericit \u0219i imagini ale unei societ\u0103\u021bi goale \u0219i \u00een deriv\u0103. <\/span>
\n
\n<\/span>
\nUn capitol axat pe fotografa \u00eens\u0103\u0219i este deosebit de interesant. Ar fi emo\u021bionant dac\u0103 fotografiile nu ar fi at\u00e2t de \u00eendr\u0103zne\u021be \u0219i sincere. Ca de obicei, multe fotografii \u2013 mari \u0219i mici \u2013 sunt puse \u00een scen\u0103, dar privitorul trebuie s\u0103 se g\u00e2ndeasc\u0103 de dou\u0103 ori pentru a \u00een\u021belege c\u0103 subiectul este artistul, a\u0219a c\u0103 trebuie s\u0103 fi fost puse \u00een scen\u0103. Fiecare dintre ele are un aer de total\u0103 spontaneitate: grimase, ipostaze dramatice, dar cu o calitate artistic\u0103 mult dincolo de cabina foto. Sunt at\u00e2t de fire\u0219ti, de fapt, \u00eenc\u00e2t ridic\u0103 \u00eendoieli cu privire la tot ce a ap\u0103rut \u00eenainte. Poate c\u0103 programul a fost \u00eentr-adev\u0103r opera unei ter\u021be p\u0103r\u021bi anonime.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nSetul de autoportrete se concentreaz\u0103 pe imagini reale mari, color \u0219i sepia, ale artistului aflat \u00een spital, \u00een recuperare de la o interven\u021bie chirurgical\u0103 abdominal\u0103. Camera de spital puternic luminat\u0103, cu tubul \u00eens\u00e2ngerat care iese din burta ei este tulbur\u0103toare, doar c\u0103 ea se uit\u0103 la camera ca \u0219i cum ar vorbi cu tu,<\/i> prietenul suficient de apropiat pentru a fi \u00een vizit\u0103. Pe tot parcursul emisiunii, ai fost atras de lumea \u0219i punctul ei de vedere, iar acum, iat\u0103-te, f\u0103c\u00e2nd o vizit\u0103 postoperatorie, de genul pe care nu l-ai putea tolera cu altcineva dec\u00e2t cel mai bun prieten al t\u0103u.<\/span>
\n
\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau
\nNu-i spune nimic.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau
\nNu-i spune nimic.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

C\u00e2nd am ajuns la ultima sec\u021biune a emisiunii, tot ceea ce venise \u00eenainte preg\u0103tise calea pentru o analiz\u0103 bogat\u0103 a propunerii titlului, <\/span>Spune-i ceva sau nu-i spune nimic. <\/i>Fotografiile din aceast\u0103 zon\u0103 merg \u00eenainte \u0219i \u00eenapoi p\u00e2n\u0103 c\u00e2nd mesajele lor de anxietate \u0219i speran\u021b\u0103 se \u00eembin\u0103 \u00een sf\u00e2r\u0219it intuitiv. Artista se \u00eentreab\u0103, av\u00e2nd \u00een vedere unde a fost \u0219i ce a tr\u0103it p\u00e2n\u0103 acum, ce este via\u021ba? Ceva sau nimic? Dragoste sau anomie? Investim \u00een viitor? Sau ne \u00eentindem \u0219i vedem ce se \u00eent\u00e2mpl\u0103?<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Peisajul ales de Carter pentru aceast\u0103 reverie final\u0103 este departe de a fi vis\u0103tor, bucolic sau reconfortant. Imaginile sunt urbane, vopsite cu spray, tatuate \u0219i par departe de sentimentul reconfortant de ordine \u0219i securitate din clasa de mijloc pe care mul\u021bi dintre noi \u00eel asociaz\u0103m cu o via\u021b\u0103 \u0219i un viitor care \u00eenseamn\u0103 \u201eceva\u201d.<\/span>
\n
\n<\/span>
\nNu sunt sigur dac\u0103 Carter cunoa\u0219te cartea lui John Bunyon. Progresul pelerinului, <\/i>dar \u00een acest spectacol simt o leg\u0103tur\u0103 cu aceast\u0103 poveste despre \u00eencercare moral\u0103 \u0219i rezisten\u021b\u0103. Artista ne poart\u0103 prin opt pasaje de pl\u0103cere, \u00eendoial\u0103 \u0219i triste\u021be. F\u0103r\u0103 a nega frumuse\u021bea, nu \u00eenceteaz\u0103 s\u0103 depl\u00e2nge lipsa ei. Un aer calm, deta\u0219at de acceptare curge pe tot parcursul spectacolului, indiferent dac\u0103 asist\u0103m la o camaraderie fericit\u0103 sau la fotografii de pierdere a identit\u0103\u021bii.<\/span>
\n
\n<\/span>
\nCred c\u0103 primul show solo al lui Maika Carter este un knockout. \u00ce\u0219i arat\u0103 puterile ca fotograf, ca povestitoare cu un excelent sim\u021b editorial \u0219i ca persoan\u0103 cu \u00een\u021belepciune \u0219i intui\u021bie care \u00eei fac abilit\u0103\u021bile importante. Eu, de exemplu, voi urm\u0103ri cu mare interes un artist care d\u0103 dovad\u0103 de o asemenea maturitate imediat scoas\u0103 din cutie.<\/span><\/p>\n

 <\/p>\n\n\n\n\n
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Maika Carter, <\/span>din <\/span>Spune-i ceva sau nu-i spune nimic.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Maika Carter, din Call It Something sau Call It Nothing. Vedere a zidului galeriei din Maika... <\/p>","protected":false},"author":1,"featured_media":651,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/4.bp.blogspot.com\/-b27U1jfEXgY\/VMZJvvSlySI\/AAAAAAAAG2o\/RvRtfRUqDl8\/w1200-h630-p-k-no-nu\/IMG_5734.jpg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\nChame de alguma coisa ou n\u00e3o chame de nada: o progresso de Maika Carter - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/ro\/650\/sau-spune-i-cum-sau-spune-i-nimic-progresul-lui-maika-carter\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chame de alguma coisa ou n\u00e3o chame de nada: o progresso de Maika Carter - Tirinha.com\" \/>\n<meta property=\"og:description\" content=\"Maika Carter, a partir de Chame de alguma coisa ou chame de nada. 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