{"id":613,"date":"2022-06-23T21:36:09","date_gmt":"2022-06-23T21:36:09","guid":{"rendered":"https:\/\/tirinha.com\/dualidade-na-sherrie-gallerie\/"},"modified":"2022-06-23T21:36:09","modified_gmt":"2022-06-23T21:36:09","slug":"dualitate-la-galeria-sherrie","status":"publish","type":"post","link":"https:\/\/tirinha.com\/ro\/613\/dualidade-na-sherrie-gallerie\/","title":{"rendered":"\u201eDualitate\u201d la Sherrie Gallerie"},"content":{"rendered":"
\nAndrew Lidgus, a c\u0103rui lucrare este expus\u0103 p\u00e2n\u0103 pe 30 august la Sherrie Gallerie din Columbus, este pianist \u0219i artist vizual. Aceasta s-ar putea numi dualitate, dar Lidgus integreaz\u0103 \u00een mod deosebit dou\u0103 aspecte ale sinelui artistic \u00een lucr\u0103rile care sfideaz\u0103 genul. <\/span>Nici picturile, nici sculpturile, nici colajele, poate \u201easamblarea\u201d, acea categorie cu generozitate, nu se apropie mai mult de a le descrie.<\/span><\/p>\n\n\n\n\n
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Andr\u00e9 Lidgus, puncte de vedere, <\/i><\/span>vopsea, placa mata, unghii,
25,5 x 19,5 inchi<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nToate lucr\u0103rile din acest spectacol <\/span>simultan <\/span>comunic\u0103 un spirit ridicat \u0219i o stabilitate lini\u0219titoare. Culoarea asertiv\u0103 se ciocne\u0219te fericit\u0103; constructia este impecabil disciplinata. Lidgus evit\u0103 materialele arti\u0219tilor, apel\u00e2nd la carton, unghii de dulgher, \u0219mirghel, vopsea de cas\u0103 \u0219i alte comori comune. Combina\u021bia sa de alegeri de culori, finisare atent\u0103 \u0219i forme biomorfe \u00eemi amintesc de arta de la mijlocul secolului XX. Acest lucru poate explica un aer de clasicism pe care \u00eel simt puternic \u00een aceast\u0103 frumoas\u0103 lucrare.<\/span><\/p>\n

\nDe departe, este u\u0219or s\u0103 sim\u021bi muzica \u00eentr-o lucrare ca puncte de vedere, <\/i>\u00een care privitorul poate g\u0103si o linie liric\u0103 de puncte ro\u0219ii subliniate de un violet larg \u0219i u\u0219or disonant, curg\u00e2nd \u00eentre b\u0103t\u0103ile ritmice ale tracturilor negre \u0219i roz. Formele verzi au forma unei curbe convexe \u0219i concave \u0219i t\u0103iate a unui pian de cot\u0103. <\/span><\/p>\n

\nCu c\u00e2t te apropii, totu\u0219i, cu at\u00e2t sunetul este mai complet \u0219i mai distinct, pentru c\u0103 nu este doar muzic\u0103 pe o partitur\u0103, ci muzic\u0103 \u00een dimensiune, care se mi\u0219c\u0103 \u00een timp \u0219i spa\u021biu. Unele dintre punctele ro\u0219ii sunt capete de unghii ale dulgherilor, ale c\u0103ror umbre adaug\u0103 \u00een toate privin\u021bele o alt\u0103 dimensiune \u2013 acorduri, o m\u00e2n\u0103 blocat\u0103 \u2013 liniei melodice acum separate. Este un duet, o dualitate? <\/p>\n\n\n\n\n
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Andrew Lidgus, detaliu, Puncte de vedere<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\nDe asemenea, se poate observa, de aproape, c\u0103 \u00eentreaga suprafa\u021b\u0103 a Punct de vedere<\/i> este de fapt creat din multe avioane stivuite. Este o topografie a \u00een\u0103l\u021bimilor \u0219i se complic\u0103 \u0219i mai mult fiind \u0219i o topografie a culorilor, \u00eentruc\u00e2t pictura nu urmeaz\u0103 geografia t\u0103ierilor. <\/span><\/p>\n

\nPuncte de vedere <\/i>este o oper\u0103 de art\u0103 vizual\u0103 frumoas\u0103, cu mai multe fa\u021bete, prin care orice privitor o poate c\u0103l\u0103tori mult timp din nou \u0219i din nou. \u00cens\u0103 \u00eenc\u00e2ntarea ta poate fi mult multiplicat\u0103 atunci c\u00e2nd \u00eel consideri ca un exemplu de interarts, plin \u0219i el de con\u021binut muzical. Acest se pare<\/i> ca muzica complexa si libera sunete. <\/i>Putem experimenta acest lucru \u00een sim\u021bire, \u00eentr-o sintez\u0103 a v\u0103zului \u0219i a sunetului.<\/span><\/p>\n

\nLidgus arat\u0103 o varietate de \u201easpecte\u201d \u00een Dualitate,<\/i> dar toate acestea sunt str\u00e2ns legate de ritm, ordine \u0219i culoare. Fie c\u0103 se bazeaz\u0103 pe pictura cu elemente \u00een relief, fie c\u0103 lucreaz\u0103 \u00een basorelief monoton, fie pe un amestec al celor dou\u0103, totul se reune\u0219te pentru a oferi lucr\u0103rii sale o integritate extraordinar\u0103.<\/span><\/p>\n

\nProprietarul galeriei Sherrie Hawk \u0219i-a folosit ochiul excelent pentru a eviden\u021bia acest fapt izbitor despre munca lui Lidgus. Ea a ag\u0103\u021bat spectacolul \u00eentr-un mod care nu numai c\u0103 prezint\u0103 frumuse\u021bile unor anumite lucr\u0103ri, dar invit\u0103 spectatorul s\u0103 vad\u0103 asem\u0103n\u0103ri care ar putea fi oportunit\u0103\u021bi ratate \u00eentr-o ag\u0103\u021bare mai pu\u021bin sensibil\u0103 (\u0219i educa\u021bional\u0103). <\/p>\n\n\n\n\n
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Andr\u00e9 Lidgus. \u00cen intimitatea min\u021bii mele <\/i>(st\u00e2nga) \u0219i Cerul de la miezul nop\u021bii <\/i>(corect).<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\n La prima vedere, cele dou\u0103 piese de mai sus pot p\u0103rea diferite, deoarece una este vopsit\u0103, iar cealalt\u0103 este neagr\u0103, realizat\u0103 \u00een principal din benzi \u021besute de carton mat. Cu toate acestea, apropierea acestor lucr\u0103ri pare natural\u0103 \u0219i odihnitoare. Ce \u00eei face s\u0103 bifeze?<\/span><\/p>\n

\nPoate este forma rotunjit\u0103 de pe fiecare pies\u0103: cercul din dreapta \u0219i semicercul din st\u00e2nga. Fiecare lucrare este dominat\u0103 de replici. Cu toate acestea \u00cen intimitatea min\u021bii mele <\/i>repet\u0103 semicercuri, aceste forme sunt umplute cu linii verticale; cercurile din Cerul de la miezul nop\u021bii <\/i>sunt compuse din grilele care umplu lucrarea. \u00cen aceast\u0103 ultim\u0103 lucrare, arat\u0103 diferit faptul c\u0103 linii oblice puternice taie suprafa\u021ba re\u021belei, rup\u00e2nd re\u021beaua simpl\u0103. Dar prima suprafa\u021b\u0103 a \u00cen intimitate\u2026 <\/i>Nu este deloc drept, ci este construit din linii ca ni\u0219te stuf \u00een v\u00e2nt, grupate, ondulate \u0219i neregulate. Cu alte cuvinte, exist\u0103 suficiente asem\u0103n\u0103ri \u00een elementele de design \u0219i ritmuri pentru a lega cele dou\u0103 lucr\u0103ri. Sau, mai degrab\u0103, pentru a ilustra modul \u00een care Lidgus, indiferent de pies\u0103 la care lucreaz\u0103, lucreaz\u0103 din acela\u0219i spa\u021biu intelectual \u0219i emo\u021bional, experiment\u00e2nd integritatea depozitului de material al propriului suflet, nu lucreaz\u0103 cu acel deget \u00een v\u00e2nt.<\/span><\/p>\n\n\n\n\n
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Andr\u00e9 Lidgus, \u00cen intimitatea min\u021bii mele, <\/i><\/span>lemn, vopsea,
25,5 x 31,5.\u201d <\/span><\/span>NB c\u0103 <\/span>tridimensionalitate.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nMajoritatea lucr\u0103rilor din aceast\u0103 expozi\u021bie sunt construite din diverse tipuri de carton sau carton mat. Lidgus le folose\u0219te at\u00e2t ca suport de baz\u0103, c\u00e2t \u0219i pentru a ridica suprafe\u021be, fie ele micile grada\u021bii topografice pe care le vedem \u00een Puncte de vedere<\/i> sau semicercurile care domin\u0103 suprafa\u0163a \u00cen intimitatea min\u021bii mele.<\/i> Uneori folose\u0219te carton ondulat desprins de stratul de h\u00e2rtie care mascheaz\u0103 de obicei ondula\u021biile, astfel \u00eenc\u00e2t s\u0103 beneficieze de textura undelor h\u00e2rtiei. <\/span><\/p>\n

\nCuratorii (\u0219i cump\u0103r\u0103torii) trebuie s\u0103 fie \u00eengrijora\u021bi de durabilitatea materialelor \u201enetradi\u021bionale\u201d. Cealalt\u0103 fa\u021b\u0103 a monedei o reprezint\u0103 aspectele expresive \u0219i poetice ale acestor materiale. M-am uitat la munca lui Lidgus \u00eenainte: el este precis \u00een utilizarea materialelor sale de zi cu zi. Cartonul are propriile sale merite \u00eentr-un mod demn pe care nu le-am recunoscut \u00eenainte. M\u0103 trezesc admir\u00e2ndu-i culoarea, care uneori apare ca aurul pe negru; aspectul s\u0103u dur \u00eentr-un cadru \u0219i moliciunea \u00een altul; efectele posibile cu \u00eendep\u0103rtarea total\u0103 sau par\u021bial\u0103 a suprafe\u021bei de ondulare; uneori puterea \u0219i aspectul ei c\u00e2nd se \u00eendoaie. Lidgus folose\u0219te cartonul cu seriozitatea unui modelist, a unei persoane care pl\u0103nuie\u0219te, care este \u00een mijlocul g\u00e2ndurilor, care este Concepe\u021bi \u00een timp ce lucra\u021bi.<\/i><\/span><\/p>\n

\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andr\u00e9 Lidgus, Con\u015ftient, <\/i>detaliu. NB dezbr\u0103cat
ondulat (cu plas\u0103 metalic\u0103, cuie, s\u00e2rm\u0103 \u00een interior
\u0219mirghel)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n<\/span><\/div>\n

\nAceasta este prima mea expunere la Andrew Lidgus, iar munca lui mi se pare fascinant\u0103. Compozi\u021bia, culorile \u0219i sensibilitatea sa sunt clasice \u0219i amintesc de momente frumoase de la Picasso \u0219i Matisse, precum \u0219i designul de la mijlocul secolului. <\/span><\/p>\n

\nDar dorin\u021ba lui de a extinde spa\u021biul mental \u0219i material dincolo de limitele obi\u0219nuite este cea care arat\u0103 puterea lui. Decolare \u00een diferite avioane f\u0103r\u0103 a te angaja \u00een sculptur\u0103; g\u0103si\u021bi o modalitate de a apropia ochiul \u0219i urechea. Pentru Lidgus, apropierea nu \u00eenceteaz\u0103 s\u0103 fie una sau alta, ci o condi\u021bie unic\u0103 \u00een sine<\/i>. Lucr\u0103rile sale nu pot fi descrise sau definite ca art\u0103 plastic\u0103 sau muzic\u0103; la fel de pre\u021bioase sau brute, precum sculptura sau pictura. Ele nu sunt deloc asem\u0103n\u0103toare \u0219i provoac\u0103 discu\u021bia despre tradi\u021biile artistice pe mai multe planuri. <\/span><\/p>\n

\nDualitate? <\/i>Acesta este un concept pe care munca lui Lidgus pare s\u0103-l refuze.<\/span><\/p>\n\n\n\n\n
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Andr\u00e9 Lidgus, Birdman, <\/i><\/span>plac\u0103 mat\u0103, lemn, 25,5 x 31,5.\u201d C\u00e2te culori reprezint\u0103 \u201enegrul\u201d?<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":"

Andrew Lidgus, a c\u0103rui lucrare este expus\u0103 p\u00e2n\u0103 pe 30 august la Sherrie Gallerie din Columbus, este pianist \u0219i artist... <\/p>","protected":false},"author":1,"featured_media":614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/2.bp.blogspot.com\/-PW8XwKXu9BA\/VdXSGBw-IxI\/AAAAAAAAHI8\/8GD-X4LR7Gs\/w1200-h630-p-k-no-nu\/points+of+view+small.jpg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\n"Dualidade" na Sherrie Gallerie - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/ro\/613\/dualitate-la-galeria-sherrie\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Dualidade" na Sherrie Gallerie - 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