{"id":613,"date":"2022-06-23T21:36:09","date_gmt":"2022-06-23T21:36:09","guid":{"rendered":"https:\/\/tirinha.com\/dualidade-na-sherrie-gallerie\/"},"modified":"2022-06-23T21:36:09","modified_gmt":"2022-06-23T21:36:09","slug":"dualidade-na-sherrie-gallerie","status":"publish","type":"post","link":"https:\/\/tirinha.com\/pl\/613\/dualidade-na-sherrie-gallerie\/","title":{"rendered":"\u201eDualno\u015b\u0107\u201d w Sherrie Gallerie"},"content":{"rendered":"
\nAndrew Lidgus, kt\u00f3rego prace mo\u017cna ogl\u0105da\u0107 do 30 sierpnia w Sherrie Gallerie w Columbus, jest pianist\u0105 i artyst\u0105 wizualnym. Mo\u017cna to nazwa\u0107 dualno\u015bci\u0105, ale Lidgus wyj\u0105tkowo dobrze integruje dwa aspekty artystycznej ja\u017ani w dzie\u0142ach zaprzeczaj\u0105cych gatunkom. <\/span>Ani obrazy, ani rze\u017aby, ani kola\u017ce, by\u0107 mo\u017ce \u201easambla\u017c\u201d, ta obszerna kategoria, nie s\u0105 w stanie ich opisa\u0107.<\/span><\/p>\n\n\n\n\n
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Andrzej Lidgus, punkty widokowe, <\/i><\/span>farba, tablica matowa, paznokcie,
25,5x19,5\u2033<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nCa\u0142a praca nad tym przedstawieniem <\/span>jednocze\u015bnie <\/span>komunikuje dobry nastr\u00f3j i uspokajaj\u0105c\u0105 stabilno\u015b\u0107. Stanowczy kolor rado\u015bnie si\u0119 zderza; konstrukcja jest nienagannie zdyscyplinowana. Lidgus stroni od materia\u0142\u00f3w artystycznych, si\u0119gaj\u0105c po karton, gwo\u017adzie stolarskie, papier \u015bcierny, farb\u0119 domow\u0105 i inne pospolite skarby. Jego po\u0142\u0105czenie doboru kolor\u00f3w, starannego wyko\u0144czenia i biomorficznych form przypomina mi sztuk\u0119 po\u0142owy XX wieku. To mo\u017ce wyja\u015bnia\u0107 atmosfer\u0119 klasycyzmu, kt\u00f3r\u0105 mocno odczuwam w tym pi\u0119knym dziele.<\/span><\/p>\n

\nZ daleka \u0142atwo jest poczu\u0107 muzyk\u0119 przypominaj\u0105c\u0105 dzie\u0142o punkty widokowe, <\/i>w kt\u00f3rym widz odnajdzie liryczn\u0105 lini\u0119 czerwonych kropek podkre\u015blon\u0105 szerokim i nieco dysonansowym fioletem, p\u0142yn\u0105c\u0105 pomi\u0119dzy rytmicznymi uderzeniami czarnych i r\u00f3\u017cowych poci\u0105gni\u0119\u0107. Zielone kszta\u0142ty maj\u0105 kszta\u0142t wypuk\u0142ej i wkl\u0119s\u0142ej krzywizny oraz szlifu fortepianu. <\/span><\/p>\n

\nJednak im bli\u017cej jeste\u015b, tym d\u017awi\u0119k jest pe\u0142niejszy i wyra\u017aniejszy, poniewa\u017c nie jest to tylko muzyka na partyturze, ale muzyka w wymiarze, poruszaj\u0105ca si\u0119 w czasie i przestrzeni. Cz\u0119\u015b\u0107 czerwonych kropek to \u0142by stolarskich gwo\u017adzi, kt\u00f3rych cienie pod ka\u017cdym wzgl\u0119dem dodaj\u0105 kolejny wymiar \u2013 wyd\u017awi\u0119k, zamkni\u0119ta d\u0142o\u0144 \u2013 rozdzielonej ju\u017c linii melodycznej. Czy to duet, dwoisto\u015b\u0107? <\/p>\n\n\n\n\n
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Andrzej Lidgus, szczeg\u00f3\u0142, Punkty widokowe<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\nZ bliska wida\u0107 te\u017c, \u017ce ca\u0142a powierzchnia Punkt widzenia<\/i> w rzeczywisto\u015bci jest utworzony z wielu u\u0142o\u017conych na sobie p\u0142aszczyzn. Jest to topografia wysoko\u015bci, co dodatkowo komplikuje to, \u017ce jest tak\u017ce topografi\u0105 kolor\u00f3w, poniewa\u017c obraz nie jest zgodny z geografi\u0105 naci\u0119\u0107. <\/span><\/p>\n

\nPunkty widokowe <\/i>to pi\u0119kne, wieloaspektowe dzie\u0142o sztuki wizualnej, przez kt\u00f3re ka\u017cdy widz mo\u017ce wraca\u0107 przez d\u0142ugi czas. Ale tw\u00f3j zachwyt mo\u017ce zosta\u0107 znacznie pomno\u017cony, gdy potraktujesz go jako przyk\u0142ad interarts, r\u00f3wnie\u017c pe\u0142nego tre\u015bci muzycznych. Ten wygl\u0105da<\/i> jako z\u0142o\u017cona i wolna muzyka D\u017awi\u0119ki. <\/i>Mo\u017cemy tego do\u015bwiadczy\u0107 poprzez uczucia, syntez\u0119 wzroku i d\u017awi\u0119ku.<\/span><\/p>\n

\nLidgus pokazuje r\u00f3\u017cnorodne \u201espojrzenia\u201d. Dwoisto\u015b\u0107,<\/i> ale wszystko to jest \u015bci\u015ble powi\u0105zane rytmem, porz\u0105dkiem i kolorem. Niezale\u017cnie od tego, czy maluje z wypuk\u0142ymi elementami, czy tworzy monotonn\u0105 p\u0142askorze\u017ab\u0119, czy te\u017c mieszank\u0119 obu, wszystko to sk\u0142ada si\u0119 na ca\u0142o\u015b\u0107, kt\u00f3ra nadaje jego tw\u00f3rczo\u015bci niezwyk\u0142\u0105 integralno\u015b\u0107.<\/span><\/p>\n

\nW\u0142a\u015bcicielka galerii Sherrie Hawk u\u017cy\u0142a swojego doskona\u0142ego oka, aby podkre\u015bli\u0107 ten uderzaj\u0105cy fakt dotycz\u0105cy tw\u00f3rczo\u015bci Lidgusa. Zawiesi\u0142a wystaw\u0119 w spos\u00f3b, kt\u00f3ry nie tylko eksponuje pi\u0119kno poszczeg\u00f3lnych dzie\u0142, ale zaprasza widza do dostrze\u017cenia podobie\u0144stw, kt\u00f3re mog\u0105 zosta\u0107 utracone w przypadku mniej wra\u017cliwego (i edukacyjnego) wieszania. <\/p>\n\n\n\n\n
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Andrzej Lidgus. W zaciszu mojego umys\u0142u <\/i>(po lewej) i Niebo o p\u00f3\u0142nocy <\/i>(Prawid\u0142owy).<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/span><\/div>\n

\n Na pierwszy rzut oka powy\u017csze dwie prace mog\u0105 wydawa\u0107 si\u0119 r\u00f3\u017cne, poniewa\u017c jedna jest pomalowana, a druga w ca\u0142o\u015bci czarna i wykonana g\u0142\u00f3wnie z tkanych pask\u00f3w matowej tektury. Jednak blisko\u015b\u0107 tych dzie\u0142 wydaje si\u0119 naturalna i koj\u0105ca. Co sprawia, \u017ce tykaj\u0105?<\/span><\/p>\n

\nMo\u017ce to zaokr\u0105glony kszta\u0142t ka\u017cdego elementu: okr\u0105g po prawej stronie i p\u00f3\u0142kole po lewej stronie. W ka\u017cdej pracy dominuj\u0105 linie. Jednak\u017ce W zaciszu mojego umys\u0142u <\/i>powtarza p\u00f3\u0142kola, formy te s\u0105 wype\u0142nione pionowymi liniami; kr\u0119gi w Niebo o p\u00f3\u0142nocy <\/i>sk\u0142adaj\u0105 si\u0119 z siatek wype\u0142niaj\u0105cych prac\u0119. W najnowszej pracy wygl\u0105da to inaczej, gdy\u017c przez powierzchni\u0119 siatki przecinaj\u0105 si\u0119 mocne, uko\u015bne linie, prze\u0142amuj\u0105c prost\u0105 siatk\u0119. Ale pierwsza powierzchnia W prywatno\u015bci\u2026 <\/i>Nie jest wcale prosty, ale zbudowany jest z linii przypominaj\u0105cych trzciny na wietrze, zgrupowanych, pofa\u0142dowanych i nieregularnych. Innymi s\u0142owy, istnieje wystarczaj\u0105co du\u017co podobie\u0144stw w elementach projektu i rytmach, aby powi\u0105za\u0107 oba dzie\u0142a. Albo raczej, aby zilustrowa\u0107, jak Lidgus, niezale\u017cnie od utworu, nad kt\u00f3rym pracuje, pracuje w tej samej przestrzeni intelektualnej i emocjonalnej, do\u015bwiadczaj\u0105c integralno\u015bci zasobu materia\u0142u w\u0142asnej duszy, a nie pracuj\u0105c z palcem na wietrze.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andrzej Lidgus, W zaciszu mojego umys\u0142u, <\/i><\/span>farba do drewna,
25,5 x 31,5.\u201d <\/span><\/span>Uwaga <\/span>tr\u00f3jwymiarowo\u015b\u0107.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nWi\u0119kszo\u015b\u0107 prac prezentowanych na tej wystawie wykonana jest z r\u00f3\u017cnego rodzaju tektury lub tektury matowej. Lidgus u\u017cywa ich zar\u00f3wno jako podstawowego wsparcia, jak i do podnoszenia powierzchni, niezale\u017cnie od tego, czy s\u0105 to male\u0144kie gradacje topograficzne, kt\u00f3re widzimy w Punkty widokowe<\/i> lub p\u00f3\u0142kola dominuj\u0105ce na powierzchni W zaciszu mojego umys\u0142u.<\/i> Czasami u\u017cywa tektury falistej pozbawionej warstwy papieru, kt\u00f3ra zwykle maskuje zmarszczki, aby wykorzysta\u0107 faktur\u0119 fal papieru. <\/span><\/p>\n

\nKuratorzy (i kupuj\u0105cy) musz\u0105 martwi\u0107 si\u0119 o trwa\u0142o\u015b\u0107 \u201enietradycyjnych\u201d materia\u0142\u00f3w. Drug\u0105 stron\u0105 medalu s\u0105 wyraziste i poetyckie aspekty tych materia\u0142\u00f3w. Przygl\u0105da\u0142em si\u0119 ju\u017c pracom Lidgusa: jest precyzyjny w u\u017cyciu materia\u0142\u00f3w codziennego u\u017cytku. Karton ma swoje zalety, w dostojny spos\u00f3b, z kt\u00f3rych nie przyzna\u0142em si\u0119 wcze\u015bniej. Podziwiam jego kolor, kt\u00f3ry czasami wygl\u0105da jak z\u0142oto na tle czerni; jego twardy wygl\u0105d w jednym ustawieniu i mi\u0119kko\u015b\u0107 w innym; skutki mo\u017cliwe przy ca\u0142kowitym lub cz\u0119\u015bciowym usuni\u0119ciu powierzchni pofa\u0142dowania; czasami jego si\u0142a i wygl\u0105d po zgi\u0119ciu. Lidgus u\u017cywa tektury z powag\u0105 modelarza, osoby planuj\u0105cej, my\u015bl\u0105cej, Pocz\u0105j podczas pracy.<\/i><\/span><\/p>\n

\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andrzej Lidgus, \u015awiadomy, <\/i>Szczeg\u00f3\u0142. NB rozebrany
faliste (z metalow\u0105 siatk\u0105, gwo\u017adziami, drutem
papier \u015bcierny)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n<\/span><\/div>\n

\nTo m\u00f3j pierwszy kontakt z Andrew Lidgusem i uwa\u017cam, \u017ce jego tw\u00f3rczo\u015b\u0107 jest fascynuj\u0105ca. Jego kompozycja, kolory i wra\u017cliwo\u015b\u0107 s\u0105 klasyczne i przywo\u0142uj\u0105 pi\u0119kne chwile Picassa i Matisse'a, a tak\u017ce design z po\u0142owy stulecia. <\/span><\/p>\n

\nAle to jego pragnienie rozszerzenia przestrzeni mentalnej i materialnej poza zwyk\u0142e granice pokazuje jego moc. Udaj si\u0119 w r\u00f3\u017cne p\u0142aszczyzny, nie anga\u017cuj\u0105c si\u0119 w rze\u017ab\u0119; znajd\u017a spos\u00f3b, aby zbli\u017cy\u0107 oko i ucho do siebie. Dla Lidgusa blisko\u015b\u0107 nie przestaje by\u0107 jednym lub drugim, ale stanowi wyj\u0105tkowy stan sam w sobie<\/i>. Jego dzie\u0142 nie mo\u017cna opisa\u0107 ani zdefiniowa\u0107 jako sztuki pi\u0119knej czy muzyki; tak cenne i surowe, jak rze\u017aba czy malarstwo. Niczym takim nie s\u0105 i stanowi\u0105 wyzwanie dla dyskusji o tradycjach artystycznych na kilku p\u0142aszczyznach. <\/span><\/p>\n

\nDwoisto\u015b\u0107? <\/i>Jest to koncepcja, kt\u00f3rej prace Lidgusa zdaj\u0105 si\u0119 zaprzecza\u0107.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andrzej Lidgus, Cz\u0142owiek Ptak, <\/i><\/span>p\u0142yta matowa, drewno, 25,5 x 31,5.\u201d Ile kolor\u00f3w reprezentuje \u201eczarny\u201d?<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":"

Andrew Lidgus, kt\u00f3rego prace mo\u017cna ogl\u0105da\u0107 do 30 sierpnia w Sherrie Gallerie w Columbus, to pianista i artysta\u2026 <\/p>","protected":false},"author":1,"featured_media":614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/2.bp.blogspot.com\/-PW8XwKXu9BA\/VdXSGBw-IxI\/AAAAAAAAHI8\/8GD-X4LR7Gs\/w1200-h630-p-k-no-nu\/points+of+view+small.jpg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\n"Dualidade" na Sherrie Gallerie - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/pl\/613\/dualidade-na-sherrie-gallerie\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Dualidade" na Sherrie Gallerie - 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