{"id":584,"date":"2022-06-23T21:28:21","date_gmt":"2022-06-23T21:28:21","guid":{"rendered":"https:\/\/tirinha.com\/summer-ponds-novo-trabalho-de-betsy-defusco-no-ohio-state-faculty-club\/"},"modified":"2022-06-23T21:28:21","modified_gmt":"2022-06-23T21:28:21","slug":"summer-ponds-novo-trabalho-de-betsy-defusco-no-ohio-state-faculty-club","status":"publish","type":"post","link":"https:\/\/tirinha.com\/pl\/584\/summer-ponds-novo-trabalho-de-betsy-defusco-no-ohio-state-faculty-club\/","title":{"rendered":"\u201eLetnie stawy \u2013 nowe dzie\u0142o Betsy DeFusco\u201d w klubie wydzia\u0142owym stanu Ohio"},"content":{"rendered":"
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\nJak pi\u0119knie jest mie\u0107 przydomowy staw, jak Betsy Furlong DeFusco, z czasem kontempluj\u0105c swoje inspiracje na p\u0142\u00f3tnie, w kolorze. \u201eTo bardzo relaksuj\u0105ce siedzie\u0107 i patrze\u0107, jak ryby p\u0142ywaj\u0105 bez ko\u0144ca w wirze kolor\u00f3w i wkr\u00f3tce zacz\u0105\u0142em widzie\u0107 ca\u0142y \u015bwiat aktywno\u015bci w jednym ma\u0142ym zbiorniku wodnym. Nieustannie inspiruj\u0105 mnie r\u00f3\u017cne \u015bwiaty natury i sam akt malarstwa, gdy zg\u0142\u0119biam granic\u0119 mi\u0119dzy abstrakcj\u0105 a reprezentacj\u0105\u201d \u2013 m\u00f3wi nam w o\u015bwiadczeniu, kt\u00f3re przygotowa\u0142a na swoj\u0105 g\u0142\u00f3wn\u0105 wystaw\u0119, kt\u00f3ra do 28 pa\u017adziernika .<\/span>
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Betsy De Fusco, W\u0119\u017cowe sushi 2. <\/i>Olej na desce, 9 x 12.\u201d
(Li\u015bciaste pn\u0105cza zdobi\u0105 kszta\u0142ty ryb niczym sznury \u015bwi\u0105tecznych lampek zawieszonych na balkonie nadmorskiego kurortu.)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


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Cho\u0107 tw\u00f3rczo\u015b\u0107 DeFusco zaczyna si\u0119 od obserwacji, jego zainteresowanie wymy\u015blonym kolorem przesuwa obrazy w stron\u0119 abstrakcji, podobnie jak upraszczanie form i wyra\u017ane zainteresowanie dekoracj\u0105. Ten spektakl jest naprawd\u0119 pyszne. <\/i>Jest koj\u0105cy, spokojny i uwodzicielski. P\u0142ywaj\u0105ce formy lilii wodnych, w\u015br\u00f3d kt\u00f3rych p\u0142ywaj\u0105 z\u0142ote rybki, s\u0105 r\u00f3wnie uspokajaj\u0105ce, pomalowane intensywnymi pastelami, jak ich prawdziwe \u2013 i mniej jaskrawe \u2013 orygina\u0142y. Jej mocne kolory, z\u0142agodzone na\u0142o\u017conymi warstwami przezroczystych szkliw, z daleka odczytywane s\u0105 jako akwarela, a nie olej, poniewa\u017c s\u0105 przezroczyste i daj\u0105 iluzj\u0119 p\u00f3\u0142przezroczystego nak\u0142adania si\u0119. Sushi z w\u0119\u017cem morskim 2<\/i> To w\u0142a\u015bnie takie dzie\u0142o, wyraz \u017cywio\u0142owo\u015bci tworzonej przez kolor, kszta\u0142t, lini\u0119 i zdolno\u015b\u0107 artystki do wykorzystania ich wed\u0142ug w\u0142asnego uznania.<\/span>
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Betsy De Fusco, P\u0142ywaj\u0105ce kolory 2. <\/i>olej na drewnie
panel, 16-3\/4 x 21-3\/4.\u201d<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ka\u017cdy malarz, kt\u00f3ry wybiera do pracy lilie wodne i pastelow\u0105 palet\u0119, b\u0119dzie por\u00f3wnywany do Moneta; DeFusco jest otwarta na to por\u00f3wnanie dzi\u0119ki swoim bujnym kolorom i marzycielskim, unosz\u0105cym si\u0119 w powietrzu formom. Warto jednak pami\u0119ta\u0107, \u017ce misja Moneta by\u0142a zupe\u0142nie inna: by\u0142 badaczem \u015bwiat\u0142a, chc\u0105cym tworzy\u0107 rzeczywisto\u015b\u0107 w nowy spos\u00f3b, pracuj\u0105c nad przedstawia\u0107. <\/i><\/span>
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\nNie jestem pewien, czy taka jest misja DeFusco, niezale\u017cnie od tego, jak uwodzicielska jest jego paleta. B\u0119d\u0105c w P\u0142ywaj\u0105ce kolory<\/i> Mo\u017cemy sobie wyobrazi\u0107, jak b\u0142\u0119kitna woda przechodzi w ziele\u0144 lub gra cieni na wodzie daj\u0105ca taki efekt kolorystyczny, brak szczeg\u00f3\u0142\u00f3w w liliach wodnych m\u00f3wi nam, \u017ce artystka nie chce nas przekona\u0107 o naturze tego, co widzia\u0142a . To, co \u201euchwyci\u0142a\u201d, to wizja, w kt\u00f3rej scena lilii w wodzie pos\u0142u\u017cy\u0142a jako inspiracja do wyprawy w kolor, b\u0119d\u0105cy jej centrum emocjonalnym i wyobra\u017ani. Kolejn\u0105 podstawow\u0105 rzecz\u0105, na kt\u00f3r\u0105 warto zwr\u00f3ci\u0107 uwag\u0119, jest bezstronne poci\u0105gni\u0119cie p\u0119dzla DeFusco. Wewn\u0105trz P\u0142ywaj\u0105ce kolory, <\/i>podobnie jak w wielu pracach na tej wystawie, mocne ruchy w prz\u00f3d i w ty\u0142 nie wskazuj\u0105 na impuls do na\u015bladowania natury. Poruszaj\u0105 si\u0119 po scenie, tworz\u0105c ekran i tworz\u0105c niemo\u017cliwy do wykonania jednoczesny ruch, sugerowany przez naci\u0119cia w li\u015bciach: niekt\u00f3rzy poruszaj\u0105 si\u0119 w lewo, inni w prawo, wszyscy w tym samym nurcie. (Je\u015bli przejrzysz zdj\u0119cia na jej stronie na Facebooku, do kt\u00f3rych link znajduje si\u0119 powy\u017cej, mo\u017cesz lepiej pozna\u0107 te powierzchnie.)<\/span><\/p>\n

W ma\u0142ej serii DeFusco <\/span>kr\u00f3lewskie zwyci\u0119stwo <\/span>obrazy, jeden z moich ulubionych <\/span>W pobli\u017cu wybrze\u017ca.<\/i>
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Betsy De Fusco, W pobli\u017cu wybrze\u017ca<\/i>. Olej na desce drewnianej,
16-3\/4 x 21-3\/4.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Kszta\u0142ty w tej pracy wype\u0142niaj\u0105 p\u0142aszczyzn\u0119 obrazu w bardziej skomplikowanych rozmiarach i relacjach ni\u017c w niekt\u00f3rych, sugeruj\u0105c mo\u017cliw\u0105 rzeczywisto\u015b\u0107 li\u015bci. Jednocze\u015bnie kraw\u0119dzie kszta\u0142t\u00f3w s\u0105 niewyra\u017ane, a kolory \u2013 w por\u00f3wnaniu z wi\u0119kszo\u015bci\u0105 prac na wystawie \u2013 bardzo stonowane; Czuj\u0119, \u017ce musz\u0119 przetrze\u0107 co\u015b z oczu, \u017ceby wystarczaj\u0105co zbli\u017cy\u0107 si\u0119 do obrazu. <\/span>

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\nMy\u015bl\u0119, \u017ce DeFusco trafi\u0142 w idealny punkt, gdzie\u015b pomi\u0119dzy malowaniem sceny a malowaniem snu. Mocne, poziome poci\u0105gni\u0119cia p\u0119dzla rozci\u0105gaj\u0105ce si\u0119 na powierzchni obrazu po raz kolejny nadaj\u0105 spokojn\u0105 dynamik\u0119 temu, co wydaje si\u0119 by\u0107 zimn\u0105 i stabiln\u0105 scen\u0105.<\/span>

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Betsy De Fusco, Przep\u0142ywanie. <\/i>olej na drewnie
p\u0142yta. 12\u00d712.\u201d<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Moje serce zdoby\u0142y jeszcze dwa ma\u0142e obrazy, dwa wygl\u0105daj\u0105ce realistycznie. Przep\u0142ywanie<\/i> przedstawia masywn\u0105, nieabstrakcyjn\u0105 z\u0142ot\u0105 rybk\u0119 p\u0142ywaj\u0105c\u0105 w czystej wodzie tu\u017c pod kilkoma ma\u0142ymi p\u0142atkami lilii. Woda jest niebiesko-szara. Ro\u015bliny s\u0105 zielone. Ryba jest z\u0142ota. Wszystkie elementy s\u0105 pomalowane z wystarczaj\u0105c\u0105 ilo\u015bci\u0105 szczeg\u00f3\u0142\u00f3w, aby odda\u0107 poczucie ich rzeczywisto\u015bci.<\/span>
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\nPodoba mi si\u0119 ten punkt widzenia. Podoba mi si\u0119 to, \u017ce jeste\u015bmy tak umiejscowieni, \u017ce mo\u017cemy patrze\u0107 bezpo\u015brednio na t\u0119 ryb\u0119. Nie mog\u0119 sobie wyobrazi\u0107, jak si\u0119 tu dosta\u0142em \u2013 wi\u0119c zamkn\u0105\u0107<\/i> i tak bezpo\u015brednio nad nimi \u2013 bez zak\u0142\u00f3cania ciszy i spokoju sceny. Czuj\u0119, \u017ce jestem w uprzywilejowanym miejscu. To wyj\u0105tkowe, ale nie abstrakcyjne. Jeszcze bardziej wyj\u0105tkowe jest to, \u017ce jest to oczywi\u015bcie ulotne. Chocia\u017c w pracach DeFusco mo\u017cna dostrzec wiele ruchu, to jedno i drugie jeden <\/i>ryba i The <\/i>ryba. To nie jest masa ruchomych kszta\u0142t\u00f3w. Wiemy, w kt\u00f3r\u0105 stron\u0119 to zmierza i \u017ce wkr\u00f3tce zniknie. W tej ulotnej scenie jest dramat, jakiego nie mog\u0105 mie\u0107 naj\u017cywsze i najbardziej zat\u0142oczone obrazy. <\/span>
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\n Podobaj\u0105 mi si\u0119 tak\u017ce delikatne kolory obrazu, zw\u0142aszcza kontrastuj\u0105ce z otoczeniem. DeFusco uwielbia r\u00f3\u017c i jasne, tropikalne kolory, dlatego jej wyst\u0119p jest wspania\u0142ym prze\u017cyciem. Ten Przep\u0142ywanie<\/i> wydaje si\u0119, \u017ce co\u015b samowystarczalnego i szcz\u0119\u015bliwego w swoim spokojnym, dos\u0142ownym wyra\u017ceniu jest szczeg\u00f3lnie od\u015bwie\u017caj\u0105ce w kontek\u015bcie.<\/span>
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\nJesienna Laguna <\/i>podziel si\u0119 z Przep\u0142ywanie<\/i> to uk\u0142on w stron\u0119 dos\u0142ownej rzeczywisto\u015bci. W rezultacie oba obrazy przenosz\u0105 si\u0119 w przestrze\u0144 kontemplacyjn\u0105, przestrze\u0144, kt\u00f3rej nie zajmuj\u0105 obrazy bardziej kolorowe i abstrakcyjne. Odleg\u0142o\u015b\u0107 mi\u0119dzy tym a Sushi z w\u0119\u017cem morskim 2<\/i> Jest rozleg\u0142y.<\/p>\n\n\n\n\n
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Betsy De Fusco, Jesienna Laguna. <\/i>Olej na desce drewnianej,
12×12.”
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\nTemat tego obrazu jest bardzo wyra\u017any; obiektem jest \u017c\u00f3\u0142ta lilia ci\u0105gn\u0105ca si\u0119 za znikaj\u0105cym w\u0105sem w lewym dolnym rogu. Kompozycja ma wyra\u017anie dynamiczny aspekt. Mimo \u017ce nie jest to szybki ani dynamiczny obraz, wyczuwa si\u0119 co\u015b, co nadejdzie, co doda celu i historii. \u017b\u00f3\u0142ty kszta\u0142t przecina doln\u0105 lini\u0119, przechodz\u0105c od niebiesko-szarej wody do wody wystarczaj\u0105co przejrzystej, aby odzwierciedli\u0107 li\u015bcie w ca\u0142ym ich g\u0142\u0119bokim, nastrojowym, prawdziwym zielonym kolorze. P\u0142aska r\u00f3\u017cowa tafla sztukaterii wkracza w g\u00f3rn\u0105 kraw\u0119d\u017a abstrakcyjnego, sztucznego \u015bwiata DeFusco. <\/span>
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\nCh\u0119tnie przyjm\u0119 t\u0119 ambasad\u0119 z drugiej strony. Jest pi\u0119kny i przypomina mi ko\u0144c\u00f3wk\u0119, nad kt\u00f3r\u0105 pracuje DeFusco. Nie zmienia to jednak faktu, \u017ce ten czaruj\u0105cy moment rzeczywisto\u015bci, kiedy odpoczywaj\u0105cy li\u015b\u0107 unosi si\u0119 pomi\u0119dzy dwoma \u015bwiatami, spokojny pomi\u0119dzy estetyk\u0105 zestawie\u0144 kolorystycznych a prawd\u0105 o rozpoczynaj\u0105cym si\u0119 rozpadzie. <\/span><\/p>\n

Je\u015bli program DeFusco ma jak\u0105\u015b powa\u017cn\u0105 wad\u0119, to jest ni\u0105 to, \u017ce jest w nim za du\u017co pracy. Na specjalnej, ciasnej palecie stworzy\u0142a ogromny zbi\u00f3r obraz\u00f3w o kilku tematach. My\u015bl\u0119, \u017ce lepiej by jej wysz\u0142o, gdyby troch\u0119 si\u0119 powstrzyma\u0142a i pobudzi\u0142a jej apetyt na wi\u0119cej. Ale to jest pi\u0119kne. Dla mi\u0142o\u015bnika sztuki, kt\u00f3ry z \u017calem obserwuje zmian\u0119 li\u015bci, jest to spektakl pozwalaj\u0105cy zatrzyma\u0107 s\u0142odycz ciep\u0142ych dni i d\u0142ugie, powolne, kontemplacyjne dni dojrza\u0142ego pi\u0119kna. <\/span><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Jak pi\u0119knie jest mie\u0107 przydomowy staw jak Betsy Furlong DeFusco, z czasem kontempluj\u0105c swoje inspiracje na p\u0142\u00f3tnie... <\/p>","protected":false},"author":1,"featured_media":585,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/4.bp.blogspot.com\/-sD7-eofh__g\/V-GlC0rUndI\/AAAAAAAAHrg\/2Npwy8YLprwLFvOIa33DC0Gz9iLugMUbACLcB\/w1200-h630-p-k-no-nu\/Seasnak+sushi-2.jpeg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\n"Summer Ponds - Novo Trabalho de Betsy DeFusco" no Ohio State Faculty Club - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/pl\/584\/summer-ponds-novo-trabalho-de-betsy-defusco-no-ohio-state-faculty-club\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Summer Ponds - 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