{"id":582,"date":"2022-06-23T21:28:10","date_gmt":"2022-06-23T21:28:10","guid":{"rendered":"https:\/\/tirinha.com\/suite-presidencial-de-aminah-robinson-2016\/"},"modified":"2022-06-23T21:28:10","modified_gmt":"2022-06-23T21:28:10","slug":"suite-presidencial-de-aminah-robinson-2016","status":"publish","type":"post","link":"https:\/\/tirinha.com\/pl\/582\/suite-presidencial-de-aminah-robinson-2016\/","title":{"rendered":"Apartament Prezydencki Aminah Robinson, 2016"},"content":{"rendered":"
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Aminah Brenda Lynn Robinson, Wrz\u0105ce, gor\u0105ce s\u0142o\u0144ce,<\/i>
akwarela na papierze, nauka. Zdj\u0119cie dzi\u0119ki uprzejmo\u015bci
Galerie Hammonda Harkinsa<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u201eGor\u0105ce, wrz\u0105ce s\u0142o\u0144ce spada na mnie\u201d \u2013 tak napisa\u0142a Aminah Robinson w tym akwarelowym studium na potrzeby znacznie wi\u0119kszego dzie\u0142a: Gor\u0105ce, gor\u0105ce s\u0142o\u0144ce. <\/i>Wiele z tego, co charakteryzuje trwa\u0142y wp\u0142yw Robinsona na nas, zosta\u0142o skondensowanych w tej jednej kartce.<\/span>
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\nSp\u00f3jrz na prawe rami\u0119 tej kobiety, jak przemieszcza si\u0119 mi\u0119dzy umi\u0119\u015bnionym a... <\/span>szczup\u0142y <\/span>aby zako\u0144czy\u0107 si\u0119 w ogromnej, muskularnej d\u0142oni. Zwr\u00f3\u0107 uwag\u0119 nie tylko na wyraz skupienia i pow\u015bci\u0105gliwo\u015bci na jej twarzy, tak zwi\u0119\u017ale zarysowany bez wahania poci\u0105gni\u0119ciami p\u0119dzla, ale tak\u017ce kszta\u0142t jej cia\u0142a \u2013 ko\u0142ysz\u0105ce si\u0119, wij\u0105ce si\u0119 piersi, rozpi\u0119to\u015b\u0107 bioder i n\u00f3g, kt\u00f3re wizualnie i dos\u0142ownie r\u00f3wnowa\u017c\u0105 bawe\u0142niany wazon w jego ramiona pochylone. Po\u0142o\u017cenie postaci na papierze jest krzywe, co podkre\u015bla wra\u017cenie powolno\u015bci, opadania; chwili mi\u0119dzy potkni\u0119ciem si\u0119 a wstaniem. Skr\u0119cone cia\u0142o nie wyznacza kierunku: decyduje o tym nieub\u0142agana twarz.<\/span><\/span>
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\n\u017baden ze skondensowanych efekt\u00f3w tego pojedynczego studium nie zostanie utracony, gdy Robinson przenosi go i mno\u017cy w swoim wspania\u0142ym, bogatym, wielopanelowym obrazie, Gor\u0105ce, gor\u0105ce s\u0142o\u0144ce.<\/p>\n\n\n\n\n
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Aminah Brenda Lynn Robinson, Gor\u0105ce, gor\u0105ce s\u0142o\u0144ce. <\/i>Technika mieszana i kola\u017c na papierze. Dzi\u0119ki uprzejmo\u015bci Galerii Hammonda Harkinsa.
Szczeg\u00f3\u0142y lewego panelu poni\u017cej<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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\n\u201eGor\u0105ce, wrz\u0105ce s\u0142o\u0144ce nadchodzi nade mn\u0105 od wschodu do zachodu s\u0142o\u0144ca. Niewolnicy zbierali bawe\u0142n\u0119\u201d \u2013 brzmi napis Robinsona. W tej z\u0142o\u017conej kompozycji kobiet i dzieci na polach bawe\u0142ny wykrzywienia i skr\u0119ty unikalnego cia\u0142a obj\u0119tego badaniem s\u0105 rozproszone po ca\u0142ym ciele, <\/span>rytmiczny<\/span> p\u0142yta. B\u00f3l i wysi\u0142ek s\u0105 uwzgl\u0119dniane przez Grupa <\/i>w kt\u00f3rym ka\u017cda jednostka jest (dos\u0142ownie) spleciona ze swoim s\u0105siadem. Wszelkie nurty s\u0105 tutaj nurtami wsp\u00f3lnoty, wsp\u00f3lnej pracy i braterstwa.<\/span><\/span><\/p>\n

\nNie s\u0105 te\u017c tak naprawd\u0119 przedstawieni ci niewolnicy pod wrz\u0105cym, gor\u0105cym s\u0142o\u0144cem. Raczej nie stoj\u0105, lecz anielsko unosz\u0105 si\u0119 na tle czystego, b\u0142\u0119kitnego nieba, z kt\u00f3rego zdaj\u0105 si\u0119 zbiera\u0107 nie dos\u0142own\u0105 bawe\u0142n\u0119, ale mi\u0119kkie krople chmur. Te kobiety przekroczy\u0142y Jordan, ale pozostaj\u0105 ze sob\u0105 we wsp\u00f3lnocie poprzez rzek\u0119 wsp\u00f3lnej relacji reprezentowanej przez pe\u0142n\u0105 wdzi\u0119ku, p\u0142ynn\u0105 kompozycj\u0119 ca\u0142ego dzie\u0142a.<\/span><\/p>\n

\nObie prace, kt\u00f3re mo\u017cna ogl\u0105da\u0107 do 9 pa\u017adziernika w Hammond Harkins Galleries w Columbus, stanowi\u0105 cz\u0119\u015b\u0107 obszernej wystawy ol\u015bniewaj\u0105cej tw\u00f3rczo\u015bci Robinsona, Apartament prezydencki, <\/i>rozleg\u0142a tw\u00f3rczo\u015b\u0107 z\u0142o\u017cona z wielu dzie\u0142 \u2013 ekskluzywnych kola\u017cy z tkanin RaGonNon, akwareli, obraz\u00f3w i pism. <\/i><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
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Aminah Brenda Lynn Robinson, Prezydent Barak Husajn Obama <\/i>z Apartament prezydencki. <\/i>RaGonNon: technika mieszana: tkanina
hafty, guziki, pozytywki.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ten RaGonNon, Ksi\u0119ga Objawie\u0144 <\/i>(z has\u0142em \u201ePrezydent Barak Hussein Obama\u201d wpisanym na g\u00f3rnym panelu) jest centralnym elementem wystawy Hammonda Harkinsa: W Columbus Museum of Art jest wi\u0119cej. Ka\u017cda praca w galerii, niezale\u017cnie od medium, jest jej nast\u0119pstwem wspania\u0142e drzewo. <\/span>
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\nW tym Apartament prezydencki,<\/i> Robinson znajduje idealny dom dla pasji uciele\u015bnionych w jego ogromnym dorobku: sprawiedliwo\u015bci, wsp\u00f3lnoty i nadziei, \u017ce wiedza o przesz\u0142o\u015bci mo\u017ce zapewni\u0107 lepsz\u0105 przysz\u0142o\u015b\u0107. Dla niej prezydent Obama stanowi\u0142 najlepsz\u0105 nadziej\u0119 na przysz\u0142o\u015b\u0107, w kt\u00f3rej osi\u0105gni\u0119cia Afroamerykan\u00f3w mog\u0142yby zab\u0142ysn\u0105\u0107 poprzez narracj\u0119 o niewolnictwie i represjach, u\u017cy\u017aniaj\u0105c grunt dla kolejnych.<\/span>
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\nNajwa\u017cniejsze w \u017cyciu zawodowym i my\u015blowym Robinsona jest to, \u017ce g\u0142\u0119boka wiedza historyczna musi wspomaga\u0107 ci\u0105g\u0142e poszukiwania lepszego \u015bwiata; bez znajomo\u015bci historii brakuje wzorc\u00f3w, zwyczaj\u00f3w i w\u0142adzy. <\/span>Ten g\u0142\u00f3wny temat zosta\u0142 opisany tutaj <\/span>w r\u00f3\u017cnych recenzjach swojej tw\u00f3rczo\u015bci (zob. 8 marca 2015 r.; 3 maja 2012 r.; 24 sierpnia 1011 r.) Wyb\u00f3r prezydenta Obamy by\u0142 nie tylko wydarzeniem politycznym, ale punktem kulminacyjnym w historii i kulturze Afroameryka\u0144skiej. Amerykanie. Wspania\u0142a historia, kt\u00f3r\u0105 spisywa\u0142a z tak wielk\u0105 pasj\u0105 przez ca\u0142\u0105 swoj\u0105 karier\u0119, mog\u0142a teraz zosta\u0107 potwierdzona pod rz\u0105dami rz\u0105du kierowanego przez nowy przyk\u0142ad. Punkt Apartament prezydencki<\/i> chodzi o przesz\u0142o\u015b\u0107 i tera\u017aniejszo\u015b\u0107 zjednoczon\u0105 sprawiedliw\u0105 przysz\u0142o\u015bci\u0105.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Aminah Brenda Lynn Robinson, Nadzieja pami\u0119ta<\/i> W Apartament prezydencki. <\/i>Technika mieszana na papierze czerpanym.
Zdj\u0119cie dzi\u0119ki uprzejmo\u015bci Galerii Hammonda Harkinsa. Szczeg\u00f3\u0142y poni\u017cej.<\/span><\/p>\n
\nZ tym samym p\u0142ynnym ruchem i wzajemnym po\u0142\u0105czeniem postaci, jak w scenie niewolnik\u00f3w przeniesionych do nieba, Robinson \u0142\u0105czy przesz\u0142o\u015b\u0107, tera\u017aniejszo\u015b\u0107 i przysz\u0142o\u015b\u0107 w fali przecinaj\u0105cych si\u0119 ludzi, tworz\u0105c \u0142a\u0144cuch nadziei.<\/p>\n
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Zwr\u00f3\u0107 uwag\u0119 na gesty ramion i d\u0142oni tu i gdzie indziej. Gor\u0105ce, gor\u0105ce s\u0142o\u0144ce.<\/i> Kopanie daje o sobie zna\u0107 Nadzieja pami\u0119ta<\/i> s\u0105 to obliczone transfery mi\u0119dzypokoleniowe; r\u0119ce nie zginaj\u0105 si\u0119 jak zbieracze bawe\u0142ny. Wyci\u0105gaj\u0105 r\u0119k\u0119, nawet je\u015bli ostatecznym (przysz\u0142ym) gestem b\u0119dzie upadek\u2026bawe\u0142na<\/i>. Przez Zestaw, <\/i>My\u015bl\u0119, \u017ce Robinson u\u017cywa bawe\u0142ny jako symbolu, kt\u00f3ry zmienia si\u0119 z biegiem czasu. Niegdy\u015b obiekt pracy przymusowej, staje si\u0119 cz\u0119\u015bci\u0105 ci\u0105g\u0142o\u015bci kulturowej, z\u0142agodzon\u0105 i nasycon\u0105 znaczeniem przez narzucenie milionom kobiet. Jakkolwiek skromne by to nie by\u0142o, niewolnicy i ich przodkowie stworzyli pi\u0119kno i znaczenie nawet w g\u0142\u0119bi najbardziej przera\u017caj\u0105cego do\u015bwiadczenia.<\/span><\/div>\n

\nGor\u0105ce S\u0142o\u0144ce <\/i>To jest Nadzieja pami\u0119ta<\/i> To prace, kt\u00f3re jako takie zdominowa\u0142yby ka\u017cd\u0105 galeri\u0119. W tym programie s\u0105 to jedne z kilku dzie\u0142 szczeg\u00f3\u0142owo opisuj\u0105cych uniwersalne przes\u0142ania, kt\u00f3re Robinson wpisa\u0142 w swoj\u0105 wizj\u0119 wyboru prezydenta Obamy i lat sprawowania urz\u0119du. (W\u0142a\u015bciwie pracowa\u0142a nad tym a\u017c do swojej \u015bmierci; ig\u0142a i ni\u0107 wisz\u0105 na panelu. W\u0105tpi\u0119 jednak, aby Robinson \u201euko\u0144czy\u0142\u201d cokolwiek, je\u015bli tylko jest historia do zbadania i opowiedzenia oraz przysz\u0142o\u015b\u0107 do utrzymania nie mamy nadziei.)<\/span><\/p>\n

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\nRobinson po\u015bwi\u0119ca si\u0119 Apartament prezydencki<\/i> rodzinie i spo\u0142eczno\u015bci \u2013 dwa w\u0105tki, kt\u00f3re widzia\u0142a uciele\u015bnione w Baraku Obamie i jego prezydenturze. W tym panelu RagOnNon \u0142\u0105czy te idee w najbardziej naturalny spos\u00f3b, \u015bwi\u0119tuj\u0105c przyznanie Obamie Nagrody Nobla w tym samym dniu, co r\u00f3wnie radosna okazja, jak\u0105 s\u0105 urodziny rodzinnego zwierzaka Bo.<\/span><\/p>\n

\nNa panelu nad tym pozdrowieniem ca\u0142a rodzina Obam\u00f3w spaceruje po Ogrodzie R\u00f3\u017canym Bia\u0142ego Domu, rado\u015bnie pomalowana w pe\u0142nym rozkwicie czerwonych i r\u00f3\u017cowych kwiat\u00f3w. Pies Bo jest rzeczywi\u015bcie cz\u0142onkiem rodziny i na ko\u0144cu smyczy \u2013 reprezentowany przez \u015bwi\u0105teczn\u0105 i patriotyczn\u0105 wst\u0105\u017ck\u0119 \u2013 ci\u0105gnie kolorow\u0105 rodzin\u0119 do przodu. Nale\u017cy r\u00f3wnie\u017c pami\u0119ta\u0107, \u017ce ich stopy s\u0105 wykonane z bawe\u0142ny.<\/p>\n
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\nPrzez ca\u0142y czas jest ogromny Ksi\u0119ga Apokalipsy, Apartament rodzinny i wsp\u00f3lnotowy, <\/i>Robinson \u0142\u0105czy kameralno\u015b\u0107 i mi\u0119dzynarodow\u0105 histori\u0119 z tera\u017aniejszo\u015bci\u0105. Historia niewolnictwa jest dos\u0142ownie osadzona w historii Bia\u0142ego Domu, jak zauwa\u017cy\u0142a Michelle Obama, a ilustruj\u0105 to sceny z wielkiego dzie\u0142a Robinsona. Cierpienie i codzienne rado\u015bci s\u0105 cz\u0119\u015bci\u0105 tej samej tkaniny. Przedstawiony na rysunku w lewym panelu, widzimy niewolnik\u00f3w wytwarzaj\u0105cych ceg\u0142y do budowy budynku, a ich bracia s\u0105 przykuci \u0142a\u0144cuchami nad panelem tytu\u0142owym. S\u0105 cz\u0119\u015bci\u0105 afroameryka\u0144skiej rodziny, kt\u00f3ra mieszka teraz w tym domu, w lepszym \u017cyciu z ogrodem r\u00f3\u017canym.<\/p>\n
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\nWreszcie Robinson porusza si\u0119 w ruchu tak charakterystycznym dla jego wewn\u0119trznej i manifestowanej wizji, id\u0105c naprz\u00f3d w \u015bwiat. Na dole pasek winiet<\/span> RagOnNon \u0142\u0105czy Pierwsz\u0105 Rodzin\u0119 z Chilijczykami pochowanymi \u017cywcem w kopalni, podczas gdy \u015bwiat patrzy\u0142 i modli\u0142 si\u0119 o ich ratunek. \u201eProvidencia Street\u201d to jeden z kilku paneli po\u015bwi\u0119conych powi\u0105zaniu chilijskiej akcji ratunkowej z katastrof\u0105 g\u00f3rnicz\u0105 z naszym prezydentem poprzez hojny i jednocz\u0105cy \u015bwiatopogl\u0105d, kt\u00f3ry artysta uzna\u0142 za b\u0142ogos\u0142awie\u0144stwo. Tutaj ludzie i zwierz\u0119ta spaceruj\u0105 barwnymi ulicami miasta, oczekuj\u0105c lub \u015bwi\u0119tuj\u0105c moment ratunku, kt\u00f3ry zjednoczy\u0142 \u015bwiat w ulgi i rado\u015bci \u2013 emocjach i wizji, kt\u00f3re Aminah Robinson tak wspaniale wyrazi\u0142a w tym niezr\u00f3wnanym dziele ho\u0142du, obietnicy i mi\u0142o\u015bci.<\/span><\/p>\n

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\nWszystkie zdj\u0119cia w tym po\u015bcie powsta\u0142y dzi\u0119ki doskona\u0142ej pracy i hojno\u015bci Galerii Hammond Harkins.<\/span><\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Aminah Brenda Lynn Robinson, Wrz\u0105ce gor\u0105ce s\u0142o\u0144ce, akwarela na papierze, studium. 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