{"id":650,"date":"2022-12-27T12:05:34","date_gmt":"2022-12-27T12:05:34","guid":{"rendered":"https:\/\/tirinha.com\/revisao-de-starr-chame-de-alguma-coisa-ou-nao-chame-de-nada-o-progresso-de-maika-carter\/"},"modified":"2022-12-27T12:07:00","modified_gmt":"2022-12-27T12:07:00","slug":"chame-de-alguma-coisa-ou-nao-chame-de-nada-o-progresso-de-maika-carter","status":"publish","type":"post","link":"https:\/\/tirinha.com\/hr\/650\/chame-de-alguma-coisa-ou-nao-chame-de-nada-o-progresso-de-maika-carter\/","title":{"rendered":"Nazovite to nekako ili nikako: napredak Maike Carter"},"content":{"rendered":"
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Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
Pogled na zid galerije kod Maike Carter Povezivanje
\nTo je ne\u0161to ili zovite to ni\u0161ta<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

U maloj projektnoj sobi u galeriji Columbus College of Art and Design, nedavni diplomanti Maika Carter<\/b> radi svoju prvu samostalnu izlo\u017ebu, Nazovi to nekako ili ne nazovi ni\u0161ta, <\/i>do 20. velja\u010de. Nisam vidio previ\u0161e publiciteta za ovo, ali sretan sam \u0161to prepoznajem ovo djelo propitivanja ljepote i zrelosti.<\/span>
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Predstava je organizirana kao osma<\/span>
\npoglavlja fotografskog narativa. Njegovo napredovanje od predmeta do predmeta jasno je ocrtano; Sadr\u017eaj svake cjeline predstavljen je u razli\u010ditim, upe\u010datljivim slikama, a kretanje od odjeljka do odjeljka \u010dini se organskim. \u0160to je najbolje od svega, posljednje poglavlje predstavlja sintezu svega \u0161to je bilo prije. <\/span>\u0160to je ovo dodalo? Ne\u0161to bitno i istinito upakirano u svakodnevno i le\u017eerno? Ili afirmacija smisla u trivijalnoj akumulaciji \u017eivota? <\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span><\/p>\n

Prva fotografska skupina \u2013 velikih i malih slika, zamr\u0161enih i pri\u010dvr\u0161\u0107enih u promi\u0161ljene skupine na zidu \u2013 prikazuje cipele, uglavnom prazne. Crno-bijela fotografija balerinki okrenutih jedna prema drugoj preko procjepa u asfaltu ima dojam pouzdane jednostavnosti. Zapo\u010dinjemo mar\u0161 ili turu, ali od prvog koraka postavlja se pitanje smjera i svrhe. Kako \u0107emo napuniti cipele, koja je svrha, gdje \u0107emo i\u0107i? Carterove fotografije, crno-bijele pomije\u0161ane s drugima u jakim, zasi\u0107enim bojama, ne sugeriraju mi \u200b\u200bdvosmislenost koliko sugeriraju vrlo ljudsko stanje revnosti i odlu\u010dnosti \u010dak i u nedostatku karte. Sve su slike podebljane. Ukazuje li zabuna u smjeru izme\u0111u cipela na ludost ili neodlu\u010dnost? Ili jednostavno \u010dinjenica da \u017eivot nudi malo smjernica?<\/span><\/p>\n\n\n\n\n
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Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ulazimo u 2. poglavlje samo da bismo se na\u0161li na mjestu Nestalih, gdje su stvari nestale ili nam nestaju iz vida. Ovo je grupa fotografija koja vas ne obuzima sna\u017enom porukom, ve\u0107 bolom tuge koja raste kako se morate pribli\u017eiti mnogim malim slikama okupljenim oko ve\u0107ih. Mnoge fotografije na ovim zidovima nisu ve\u0107e od 3 kvadratna in\u010da. Kada Carter zamu\u0107uje sadr\u017eaj, pove\u0107ava se intimnost izme\u0111u gledatelja i slike, \u0161to dovodi do ve\u0107eg emocionalnog utjecaja. Slika \u017eute trake upozorenja koja prelazi preko neukra\u0161enog trga izaziva, prema sugestiji, vi\u0161e tuge nego <\/span>volio bih <\/span>jezivo i slikovito mjesto zlo\u010dina.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta. <\/i>Skupina
\nfotografija uklju\u010duju\u0107i umjetnika.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovi to nekako ili nazovi to nekako
\nNi\u0161ta.<\/i><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\n<\/span>
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\nAli sljede\u0107i dio od <\/span> \u0161arenilo <\/span>fotografije nas pokre\u0107u na\u010dinom na koji reagiramo na spomenar velike, sretne obitelji. Carter nas vodi do niza nasmijanih ro\u0111aka i prijatelja iz vi\u0161e generacija \u2013 ljudi koji su sretni \u0161to su zajedno, sretni \u0161to rade ono \u0161to rade, osje\u0107aju se posebnima i voljenima. Siguran sam da ovaj dio izlo\u017ebe niti jednog gledatelja ne\u0107e ostaviti ravnodu\u0161nim. Carterov le\u017eerni aran\u017eman ovdje lijepo funkcionira, gdje osje\u0107amo dobro raspolo\u017eenje i toplinu, uklju\u010duju\u0107i i nas. Mislim da je djelomi\u010dno veli\u010dina slika i \u010dinjenica da im moramo pristupiti izbliza \u2013 kao da listamo spomenar \u2013 ono \u0161to ga \u010dini tako inkluzivnim. Na njih nisam reagirao kao na fotografije stranaca, ve\u0107 kao na ljude \u010diju sam sre\u0107u dijelio. Nisam osjetio nikakve prepreke. Gledatelj je dio dru\u0161tva i sretan \u0161to je tu kao \u010dlan obitelji ovih ljudi.<\/span><\/p>\n

 <\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i>
\nZbirka fotografija prijateljstva.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u010citamo li autobiografiju ili smo lik iz umjetnikove autobiografije? Pratimo li pri\u010du o svakom \u010dovjeku? Pitanje ne mo\u017ee a da ne padne na pamet u mnogim trenucima, ali posebno kada se pripovijest spu\u0161ta od samouvjerenog dru\u0161tvenog blagostanja do poglavlja doslovnog brisanja \u2013 mo\u010dvare malodu\u0161nosti, ako ho\u0107ete. <\/span>
\n
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<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta<\/i><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Carter nam daje mnogo atraktivnih slika ljudi, ali s njihovim licima ili glavama zamu\u0107enim ili izrezanim iz okvira. Osmijesi, prijateljske veze nestale su u novom okru\u017eenju izolacije i anonimnosti.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovi to nekako
\nili Nazovi to ni\u0161ta.<\/i><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Narativ se nastavlja kroz nekoliko drugih poglavlja u kojima se grubo izmjenjuju prisutnost i odsutnost, sretno socijalizirana sigurnost i slike praznog i zalutalog dru\u0161tva. <\/span>
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\nPosebno je zanimljivo poglavlje koje se fokusira na samu fotografkinju. Bilo bi dirljivo da fotografije nisu tako hrabre i iskrene. Kao i obi\u010dno, mnoge su fotografije \u2013 velike i male \u2013 namje\u0161tene, ali gledatelj mora dvaput razmisliti kako bi shvatio da je subjekt umjetnik, pa moraju biti namje\u0161tene. Svaki od njih ima dojam potpune spontanosti: grimase, dramati\u010dne poze, ali s umjetni\u010dkom kvalitetom koja daleko nadilazi foto kabinu. Oni su zapravo toliko prirodni da izazivaju sumnju u sve \u0161to je bilo prije. Mo\u017eda je program doista bio djelo anonimne tre\u0107e strane.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


\nSkup autoportreta usredoto\u010den je na velike stvarne slike u boji i sepiji, umjetnika u bolnici, koji se oporavlja od abdominalne operacije. Jarko osvijetljena bolni\u010dka soba s krvavom cijevi koja izlazi iz njezina trbuha je uznemiruju\u0107a, osim \u0161to zuri u kameru kao da razgovara s vas,<\/i> prijatelj dovoljno blizak da ga posjeti. Tijekom serije bili ste uvu\u010deni u njezin svijet i gledi\u0161te, a sada, evo vas, dolazite u posjet nakon operacije, kakav ne biste mogli tolerirati ni s kim osim s najboljim prijateljem.<\/span>
\n
\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovi to nekako ili
\nNazovi to ni\u010dim.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovi to nekako ili
\nNazovi to ni\u010dim.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Dok sam stigao do posljednjeg dijela emisije, sve \u0161to je bilo prije pripremilo je put za bogato razmatranje prijedloga naslova, <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta. <\/i>Fotografije u ovom podru\u010dju idu naprijed-natrag dok se njihove poruke tjeskobe i nade kona\u010dno intuitivno ne spoje. Umjetnica se pita, s obzirom na to gdje je bila i \u0161to je do sada do\u017eivjela, \u0161to je \u017eivot? Ne\u0161to ili ni\u0161ta? Ljubav ili anomija? Ula\u017eemo li u budu\u0107nost? Ili \u0107emo le\u0107i i vidjeti \u0161to \u0107e se dogoditi?<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Krajolik koji je Carter odabrao za ovo posljednje sanjarenje daleko je od sanjivog, bukoli\u010dnog ili utje\u0161nog. Slike su urbane, naslikane sprejem, tetovirane i doimaju se daleko od utje\u0161nog osje\u0107aja reda i sigurnosti srednje klase koji mnogi od nas povezuju sa \u017eivotom i budu\u0107no\u0161\u0107u koji "ne\u0161to" zna\u010de.<\/span>
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\n<\/span>
\nNisam siguran poznaje li Carter knjigu Johna Bunyona. Putovanje hodo\u010dasnika, <\/i>ali u ovoj emisiji osje\u0107am povezanost s ovom pri\u010dom o moralnoj ku\u0161nji i otpornosti. Umjetnik nas vodi kroz osam odlomaka zadovoljstva, sumnje i tuge. Ne pori\u010du\u0107i ljepotu, on ne prestaje \u017ealiti za njezinim nedostatkom. Miran, distancirani dojam prihva\u0107anja provla\u010di se kroz cijelu emisiju, bilo da svjedo\u010dimo sretnom dru\u017eenju ili kadrovima gubitka identiteta.<\/span>
\n
\n<\/span>
\nMislim da je prvi samostalni nastup Maike Carter nokaut. Pokazuje svoje mo\u0107i kao fotografkinja, kao pripovjeda\u010dica s izvrsnim smislom za uredni\u0161tvo te kao osoba s mudro\u0161\u0107u i intuicijom zbog kojih su njezine vje\u0161tine va\u017ene. Ja \u0107u, na primjer, s velikim zanimanjem pratiti umjetnika koji pokazuje takvu zrelost odmah iz okvira.<\/span><\/p>\n

 <\/p>\n\n\n\n\n
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Maika Carter, <\/span>iz <\/span>Nazovite to nekako ili ne nazovite ni\u0161ta.<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Maika Carter, iz Call It Something ili Call It Nothing. Pogled na zid galerije u Maiki\u2026 <\/p>","protected":false},"author":1,"featured_media":651,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/4.bp.blogspot.com\/-b27U1jfEXgY\/VMZJvvSlySI\/AAAAAAAAG2o\/RvRtfRUqDl8\/w1200-h630-p-k-no-nu\/IMG_5734.jpg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\nChame de alguma coisa ou n\u00e3o chame de nada: o progresso de Maika Carter - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/hr\/650\/chame-de-alguma-coisa-ou-nao-chame-de-nada-o-progresso-de-maika-carter\/\" \/>\n<meta property=\"og:locale\" content=\"hr_HR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chame de alguma coisa ou n\u00e3o chame de nada: o progresso de Maika Carter - Tirinha.com\" \/>\n<meta property=\"og:description\" content=\"Maika Carter, a partir de Chame de alguma coisa ou chame de nada. 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