{"id":613,"date":"2022-06-23T21:36:09","date_gmt":"2022-06-23T21:36:09","guid":{"rendered":"https:\/\/tirinha.com\/dualidade-na-sherrie-gallerie\/"},"modified":"2022-06-23T21:36:09","modified_gmt":"2022-06-23T21:36:09","slug":"dualidade-na-sherrie-gallerie","status":"publish","type":"post","link":"https:\/\/tirinha.com\/hr\/613\/dualidade-na-sherrie-gallerie\/","title":{"rendered":"\u201cDuality\u201d u Sherrie Gallerie"},"content":{"rendered":"
\nAndrew Lidgus, \u010diji su radovi izlo\u017eeni do 30. kolovoza u Sherrie Gallerie u Columbusu, pijanist je i vizualni umjetnik. To bi se moglo nazvati dualno\u0161\u0107u, ali Lidgus jedinstveno dobro integrira dva aspekta umjetni\u010dkog ja u djelima koja prkose \u017eanru. <\/span>Ni slike, ni skulpture, ni kola\u017ei, mo\u017eda "asambla\u017e", ta velikodu\u0161no obuhvatna kategorija, ne mo\u017ee ih opisati ni\u0161ta bli\u017ee.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andr\u00e9 Lidgus, gledi\u0161ta, <\/i><\/span>boja, mat plo\u010da, \u010davli,
25,5 x 19,5"<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nSav rad na ovoj emisiji <\/span>istovremeno <\/span>prenosi dobro raspolo\u017eenje i umiruju\u0107u stabilnost. Asertivna boja sretno se sukobljava; gradnja je besprijekorno disciplinirana. Lidgus izbjegava umjetni\u010dke materijale, okre\u0107u\u0107i se kartonu, tesarskim \u010davlima, brusnom papiru, ku\u0107noj boji i drugim uobi\u010dajenim blagom. Njegova kombinacija izbora boja, pa\u017eljive zavr\u0161ne obrade i biomorfnih oblika podsje\u0107aju me na umjetnost sredine 20. stolje\u0107a. Ovo mo\u017ee objasniti da\u0161ak klasicizma koji sna\u017eno osje\u0107am u ovom prekrasnom djelu.<\/span><\/p>\n

\nIz daleka je lako osjetiti glazbu u djelu poput gledi\u0161ta, <\/i>u kojoj gledatelj mo\u017ee prona\u0107i lirsku crtu crvenih to\u010dkica podcrtanih \u0161irokom i blago disonantnom ljubi\u010dastom bojom, koja te\u010de izme\u0111u ritmi\u010dkih taktova crnih i ru\u017ei\u010dastih poteza. Zeleni oblici imaju oblik konveksne i konkavne krivulje i izreza velikog klavira. <\/span><\/p>\n

\nMe\u0111utim, \u0161to ste bli\u017ee, to je zvuk potpuniji i jasniji, jer to nije samo glazba na partituri, ve\u0107 glazba u dimenziji, koja se kre\u0107e u vremenu i prostoru. Neke od crvenih to\u010dkica su glavice tesarskih \u010davala, \u010dije sjene na sve na\u010dine dodaju jo\u0161 jednu dimenziju \u2013 prizvukom, uklesanom rukom \u2013 sad izdvojenoj melodijskoj liniji. Je li to duet, dvojnost? <\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andrew Lidgus, detalj, Motri\u0161ta<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/span><\/div>\n

\nTako\u0111er se izbliza vidi da je cijela povr\u0161ina To\u010dka gledi\u0161ta<\/i> ono je zapravo stvoreno od mnogo naslaganih ravnina. To je topografija visina i dodatno je komplicirana time \u0161to je i topografija boja, jer slika ne prati geografiju rezova. <\/span><\/p>\n

\nMotri\u0161ta <\/i>je prekrasno, vi\u0161estruko djelo vizualne umjetnosti kroz koje svaki gledatelj mo\u017ee dugo putovati iznova i iznova. No, va\u0161e odu\u0161evljenje mo\u017ee biti vi\u0161estruko ve\u0107e ako ga smatrate primjerom me\u0111uumjetnosti, tako\u0111er prepunog glazbenog sadr\u017eaja. Ovaj izgled<\/i> kao slo\u017eena i slobodna glazba zvukovi. <\/i>To mo\u017eemo do\u017eivjeti u osje\u0107aju, u sintezi vida i zvuka.<\/span><\/p>\n

\nLidgus pokazuje razli\u010dite "izglede". Dvojnost,<\/i> ali sve je to jako povezano ritmom, redom i bojom. Oslanja li se na slikanje s uzdignutim elementima, ili radi u monotonom bareljefu, ili mje\u0161avini to dvoje, sve to zajedno daje njegovu opusu rada nevjerojatan integritet.<\/span><\/p>\n

\nVlasnica galerije Sherrie Hawk upotrijebila je svoje izvrsno oko kako bi istaknula ovu zapanjuju\u0107u \u010dinjenicu o Lidgusovom radu. Izlo\u017ebu je objesila na na\u010din koji ne samo da prikazuje ljepote pojedinih djela, ve\u0107 poziva gledatelja da vidi sli\u010dnosti koje bi mogle biti propu\u0161tene prilike u manje osjetljivom (i obrazovnom) vje\u0161anju. <\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andr\u00e9 Lidgus. U privatnosti mog uma <\/i>(lijevo) i Pono\u0107no nebo <\/i>(pravo).<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/span><\/div>\n

\n Na prvi pogled, dva gornja dijela mogu se \u010diniti razli\u010ditima, jer je jedan obojen, a drugi je potpuno crn, izra\u0111en uglavnom od tkanih traka mat kartona. Ipak, blizina ovih radova djeluje prirodno i umiruju\u0107e. \u0160to ih pokre\u0107e?<\/span><\/p>\n

\nMo\u017eda je to zaobljeni oblik na svakom komadu: krug desno i polukrug lijevo. Svakim radom dominiraju crtice. Me\u0111utim U privatnosti mog uma <\/i>ponavlja polukrugove, ti su oblici ispunjeni okomitim linijama; krugovi u Pono\u0107no nebo <\/i>sastoje se od re\u0161etki koje ispunjavaju djelo. U ovom posljednjem radu druga\u010dije izgleda to \u0161to sna\u017ene kose linije probijaju povr\u0161inu re\u0161etke, razbijaju\u0107i jednostavnu mre\u017eu. Ali prva povr\u0161ina od U privatnosti\u2026 <\/i>Nije uop\u0107e ravna, nego je gra\u0111ena od linija poput trske na vjetru, grupiranih, valovitih i nepravilnih. Drugim rije\u010dima, postoji dovoljno sli\u010dnosti u dizajnerskim elementima i ritmovima da bi se ta dva djela povezala. Ili bolje re\u010deno, da ilustriram kako Lidgus, na kojem god djelu radio, radi iz istog intelektualnog i emocionalnog prostora, do\u017eivljavaju\u0107i cjelovitost zaliha materijala svoje du\u0161e, ne rade\u0107i s prstom u vjetru.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andr\u00e9 Lidgus, U privatnosti mog uma, <\/i><\/span>drvo, boja,
25,5 x 31,5". <\/span><\/span>NB the <\/span>trodimenzionalnost.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\nVe\u0107ina radova na ovoj izlo\u017ebi izra\u0111ena je od raznih vrsta kartona ili mat kartona. Lidgus ih koristi i kao osnovnu potporu i za podizanje povr\u0161ina, bilo da se radi o sitnim topografskim stupnjevima koje vidimo u Motri\u0161ta<\/i> ili polukrugovi koji dominiraju povr\u0161inom U privatnosti mog uma.<\/i> Ponekad koristi valoviti karton bez sloja papira koji obi\u010dno maskira valove, tako da ima koristi od teksture valova papira. <\/span><\/p>\n

\nKustosi (i kupci) moraju se brinuti o trajnosti "netradicionalnih" materijala. Druga strana medalje su ekspresivni i poetski aspekti ovih materijala. Gledao sam Lidgusov rad prije: on je precizan u upotrebi svojih svakodnevnih materijala. Karton ima svoje prednosti na dostojanstven na\u010din koje prije nisam priznao. Divim se njegovoj boji, koja se ponekad \u010dini kao zlatna naspram crne; njegov \u010dvrsti izgled u jednom okru\u017eenju i meko\u0107u u drugom; mogu\u0107i u\u010dinci s potpunim ili djelomi\u010dnim uklanjanjem naborane povr\u0161ine; ponekad svoju snagu i svoj izgled kad se savije. Lidgus koristi karton s ozbiljno\u0161\u0107u maketara, osobe koja planira, koja je usred razmi\u0161ljanja, koja je Za\u010deti dok radite.<\/i><\/span><\/p>\n

\n<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andr\u00e9 Lidgus, pri svijesti, <\/i>detalj. NB skinut
valoviti (s metalnom mre\u017eom, \u010davlima, umetnutom \u017eicom
\u0161mirgl papir)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n<\/span><\/div>\n

\nOvo je moj prvi kontakt s Andrewom Lidgusom i smatram da je njegov rad fascinantan. Njegov sastav, boje i senzibilitet su klasi\u010dni i podsje\u0107aju na prekrasne trenutke iz Picassa i Matissea, kao i na dizajn iz sredine stolje\u0107a. <\/span><\/p>\n

\nAli upravo njegova \u017eelja da pro\u0161iri mentalni i materijalni prostor izvan uobi\u010dajenih granica pokazuje njegovu mo\u0107. Poletjeti u razli\u010dite planove bez vezanja za skulpturu; prona\u0111ite na\u010din da pribli\u017eite oko i uho. Za Lidgusa, blizina ne prestaje biti jedno ili drugo, ve\u0107 jedinstveno stanje samo po sebi<\/i>. Njegovi se radovi ne mogu opisati ili definirati kao likovna umjetnost ili glazba; dragocjeno ili sirovo, kao skulptura ili slika. Oni nisu ni\u0161ta sli\u010dno i izazivaju raspravu o umjetni\u010dkim tradicijama na nekoliko razina. <\/span><\/p>\n

\nDvojnost? <\/i>Ovo je koncept koji Lidgusovo djelo kao da odbija.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Andr\u00e9 Lidgus, \u010covjek ptica, <\/i><\/span>mat plo\u010da, drvo, 25,5 x 31,5.\u201d Koliko boja predstavlja "crna"?<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>","protected":false},"excerpt":{"rendered":"

Andrew Lidgus, \u010diji su radovi izlo\u017eeni do 30. kolovoza u Sherrie Gallerie u Columbusu, pijanist je i umjetnik... <\/p>","protected":false},"author":1,"featured_media":614,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/2.bp.blogspot.com\/-PW8XwKXu9BA\/VdXSGBw-IxI\/AAAAAAAAHI8\/8GD-X4LR7Gs\/w1200-h630-p-k-no-nu\/points+of+view+small.jpg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-613","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\n"Dualidade" na Sherrie Gallerie - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/hr\/613\/dualidade-na-sherrie-gallerie\/\" \/>\n<meta property=\"og:locale\" content=\"hr_HR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Dualidade" na Sherrie Gallerie - 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