{"id":820,"date":"2023-03-12T01:00:39","date_gmt":"2023-03-12T01:00:39","guid":{"rendered":"https:\/\/tirinha.com\/luis-gordillo-exibe-suas-ultimas-pinturas-deslumbrantes\/"},"modified":"2023-03-12T01:00:39","modified_gmt":"2023-03-12T01:00:39","slug":"%e0%a4%b2%e0%a5%81%e0%a4%87%e0%a4%b8-%e0%a4%97%e0%a5%8b%e0%a4%b0%e0%a5%8d%e0%a4%a1%e0%a4%bf%e0%a4%b2%e0%a5%8b-%e0%a4%85%e0%a4%aa%e0%a4%a8%e0%a5%80-%e0%a4%a8%e0%a4%b5%e0%a5%80%e0%a4%a8%e0%a4%a4","status":"publish","type":"post","link":"https:\/\/tirinha.com\/hi\/820\/luis-gordillo-exibe-suas-ultimas-pinturas-deslumbrantes\/","title":{"rendered":"\u0932\u0941\u0907\u0938 \u0917\u094b\u0930\u094d\u0921\u093f\u0932\u094b \u0905\u092a\u0928\u0940 \u0928\u0935\u0940\u0928\u0924\u092e \u0906\u0936\u094d\u091a\u0930\u094d\u092f\u091c\u0928\u0915 \u092a\u0947\u0902\u091f\u093f\u0902\u0917 \u092a\u094d\u0930\u0926\u0930\u094d\u0936\u093f\u0924 \u0915\u0930\u0924\u0947 \u0939\u0948\u0902"},"content":{"rendered":"

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A nova exposi\u00e7\u00e3o de Luis Gordillo (Sevilha, 1934) chama a aten\u00e7\u00e3o, com uma intensidade impressionante, para a qualidade do seu trabalho art\u00edstico. Aos 88 anos, ele diz que esta pode ser sua \u00faltima exposi\u00e7\u00e3o na Marlborough Gallery, onde exp\u00f5e a cada quatro anos. Pode ser dif\u00edcil juntar pe\u00e7as do tamanho e complexidade que vemos agora, mas sua for\u00e7a criativa e pot\u00eancia permanecem totalmente abertas<\/strong>.<\/p>\n

Todos os espa\u00e7os da galeria s\u00e3o ocupados, sim, com uma exposi\u00e7\u00e3o ordenada e mantendo boas dist\u00e2ncias para permitir a vis\u00e3o das pe\u00e7as montadas sem interfer\u00eancias. Estamos diante de 23 obras, todos eles com t\u00edtulos muito sugestivos, de fuga po\u00e9tico-conceitual<\/strong>: pinturas de grande formato (entre elas um d\u00edptico, um tr\u00edptico e um pol\u00edptico), desenhos de m\u00e9dio formato e, algo muito especial, um enorme painel, de um metro e meio por cinco metros.<\/p>\n

O t\u00edtulo desta obra autobiografia gordillensis<\/em> (2020), nos leva, com um jogo lingu\u00edstico de express\u00e3o na deriva latina do termo \u201cgordillensis\u201d, a uma s\u00edntese impressionante da genealogia da obra de Gordillo. Uma longa s\u00e9rie de imagens foi fixada no painel, desde formas pict\u00f3ricas em misturas abertas, at\u00e9 brinquedos, reprodu\u00e7\u00f5es de pintores cl\u00e1ssicos (entre eles Vel\u00e1zquez, Goya ou Rembrandt), e v\u00e1rias fotografias do pr\u00f3prio Gordillo, sempre interveio com uma veia de humor ir\u00f4nico<\/strong>.<\/p>\n

Aqui \u00e9 oportuno destacar um aspecto recorrente n\u00e3o s\u00f3 nesta obra como em muitas outras presentes na exposi\u00e7\u00e3o. E \u00e9 que continuamente vemos imagens do rosto de Luis Gordillo inseridas nas pe\u00e7as, sempre em atitudes din\u00e2micas, o que nos leva a perceber que estamos realmente perante uma reconstru\u00e7\u00e3o autobiogr\u00e1fica do enquadramento que une profundamente a sua obra art\u00edstica com o percurso da sua vida. , suas paix\u00f5es e desejos.<\/p>\n

Esta \u00e9 uma quest\u00e3o \u00e0 qual Gordillo se referiu explicitamente ao afirmar que o que ele chama de seus “duplexes”, sua desdobramento de obras<\/strong> em duas partes, vertical e horizontalmente, s\u00e3o express\u00f5es de seu eu desdobrado.<\/p>\n

\n

\"'Representa\u00e7\u00e3o<\/p>\n

\n

\n <\/p>\n

‘Representa\u00e7\u00e3o alterada’, 2022
\n <\/span><\/p>\n<\/div><\/div>\n

Este itiner\u00e1rio confluente de arte e vida fez com que a obra criativa de Gordillo n\u00e3o se situasse de forma alguma na quietude ou na repeti\u00e7\u00e3o: os registos das suas obras levam-nos sempre \u00e0 descoberta, \u00e0 inova\u00e7\u00e3o<\/strong>. Claro que a pintura est\u00e1 na raiz de tudo, mas concebida na situa\u00e7\u00e3o atual t\u00e3o determinada por t\u00e9cnicas envolventes de representa\u00e7\u00e3o visual, como um di\u00e1logo com elas de forma a transgredir o uso meramente pragm\u00e1tico-material das imagens medi\u00e1ticas.<\/p>\n

A partir do desenho e da express\u00e3o pict\u00f3rica, Gordillo tem dialogado com fotografias e imagens digitais. E dessas conversas abertas surgiram trabalhos subversivos, que misturam o questionamento e o enigm\u00e1tico das representa\u00e7\u00f5es para construir espelhos visuais que, vendo-nos refletidos neles, nos levam ao questionamento Quem somos n\u00f3s neste mundo de imagens fluidas e envolventes em que vivemos hoje?<\/strong>. Todas estas quest\u00f5es que marcam intensamente o alto n\u00edvel art\u00edstico das pe\u00e7as reunidas nesta grande exposi\u00e7\u00e3o.<\/p>\n

\n

As obras de Luis Gordillo dialogam profundamente com nossos olhares at\u00e9 despertar neles a vis\u00e3o das quest\u00f5es em aberto que representam<\/p>\n<\/blockquote>\n

Gordillo aponta explicitamente seu uso controlado das m\u00eddias digitais, no qual distingue seus aspectos positivos e seus riscos. A boa arte n\u00e3o pode ser identificada com o imediatismo de usos e pr\u00e1ticas t\u00e3o comuns na imagem do mundo atual. Suas obras s\u00e3o caracterizadas pelo intenso cuidado na prepara\u00e7\u00e3o, no tempo de estudo e no desenvolvimento. O resultado final \u00e9 algo t\u00e3o aberto quanto a pr\u00f3pria vida.<\/strong>, mas precisamente por isso seu significado est\u00e1 a\u00ed. O que vibra neles a cada passo \u00e9 o agitado jogo do pensamento que move o corpo.<\/p>\n

[Luis Gordillo: \u201cYa no s\u00e9 si soy un artista\u00a0anal\u00f3gico o digital\u201d]<\/em><\/p>\n

Em suma, as obras de Luis Gordillo dialogam profundamente com nossos olhares at\u00e9 despertar neles a vis\u00e3o das quest\u00f5es em aberto que representam. As pe\u00e7as deslumbrantes reunidas nesta exposi\u00e7\u00e3o v\u00e3o, numa mistura cont\u00ednua, do formalismo figurativo ao informalismo expressivo: em todos os casos interroga\u00e7\u00f5es po\u00e9tico-visuais que abrem nosso olhar<\/strong>.<\/p>\n

E aqui, nas miscigena\u00e7\u00f5es \u201cgordillanas\u201d da imagem, estamos diante de um horizonte intensamente significativo. Na minha opini\u00e3o, uma das formas mais importantes de enriquecer as culturas humanas \u00e9 justamente a mistura, a miscigena\u00e7\u00e3o, o reconhecimento da import\u00e2ncia do diverso nas experi\u00eancias de nossas vidas<\/strong>.<\/p>\n

As misturas \u201cgordilheiras\u201d da imagem s\u00e3o misturas de diferentes tipos e configura\u00e7\u00f5es de imagem, sempre a partir da pergunta e controle sobre o que \u00e9 profundo e relevante, nunca do mero imediatismo. Das misturas \u00e0 profundidade da imagem, ao que fica al\u00e9m do imediato.<\/p>\n

Siga os t\u00f3picos que lhe interessam<\/p>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

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