{"id":607,"date":"2022-06-23T21:34:32","date_gmt":"2022-06-23T21:34:32","guid":{"rendered":"https:\/\/tirinha.com\/homebodies-de-calvin-ma-olhando-de-fora-para-dentro\/"},"modified":"2022-06-23T21:34:32","modified_gmt":"2022-06-23T21:34:32","slug":"calvin-et-hobbes-deux-casaniers-qui-regardent-de-lexterieur","status":"publish","type":"post","link":"https:\/\/tirinha.com\/fr\/607\/homebodies-de-calvin-ma-olhando-de-fora-para-dentro\/","title":{"rendered":"Les casaniers de Calvin Ma, regardant de l'ext\u00e9rieur vers l'int\u00e9rieur"},"content":{"rendered":"
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\nQuand j'ai vu pour la premi\u00e8re fois la carte de l'exposition Sherrie Gallerie de Calvin Ma en septembre, j'avais h\u00e2te de la voir. Quand je l'ai vu, je me suis demand\u00e9 si je n'avais pas \u00e9t\u00e9 un peu pr\u00e9cipit\u00e9 dans mon enthousiasme. Mais les instincts animaux, <\/i>un spectacle rempli de figures humaines \u00e9trangement articul\u00e9es et pr\u00e9sent\u00e9es en relation avec des animaux non domestiqu\u00e9s est tr\u00e8s \u00e9trange.<\/span>
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\nCependant, mes deux r\u00e9actions \u2013 une pour votre plus grand plaisir ; l\u2019autre \u00e0 son myst\u00e8re fascinant \u2013 semblent \u00eatre tout aussi importants pour appr\u00e9cier cette \u0153uvre particuli\u00e8re, presque obsessionnellement d\u00e9taill\u00e9e. M\u00eame si le terme \u00ab d\u00e9cal\u00e9 \u00bb est en train de gagner sa place en tant que terme d\u2019approbation critique, je reste timide en tant que concept esth\u00e9tique durable ou susceptible de maintenir son attrait \u00e0 travers les g\u00e9n\u00e9rations.<\/p>\n\n\n\n\n
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Calvin Maman, Avoir h\u00e2te. <\/i>Ce<\/span>ramic, \u00e9mail, teinture. 12x5x7\u2033.
Avec l'aimable autorisation de la Galerie Sherrie<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Calvin Ma, d\u00e9tail, Avoir h\u00e2te<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Le terme \u00ab construction \u00bb semble mieux adapt\u00e9 que \u00ab sculpture \u00bb aux \u0153uvres de Ma, car elles pr\u00e9sentent les joints et les raccords exag\u00e9r\u00e9s que poss\u00e8dent les marionnettes et les animaux empaill\u00e9s. Ils sont figuratifs, mais plus d\u00e9coratifs et abstraits que r\u00e9alistes. Bien que l\u2019artiste ait investi un soin infini dans la fabrication de d\u00e9tails fins, ce soin n\u2019a pas \u00e9t\u00e9 consacr\u00e9 \u00e0 cr\u00e9er des illusions de r\u00e9alit\u00e9 visible. Ils peuvent cependant \u00eatre des d\u00e9limitations claires et profond\u00e9ment r\u00e9alistes de ce que l\u2019\u0153il int\u00e9rieur voit. <\/span><\/p>\n

Ma explore la m\u00e9taphore des yeux comme fen\u00eatres. Les yeux de nombreux personnages se posent derri\u00e8re les moulures et les rebords, mais on se demande encore pourquoi, tant l'expression est si plate : il semble n'y avoir rien \u00e0 prot\u00e9ger avec une couche suppl\u00e9mentaire. Si l\u2019on tente d\u2019envahir l\u2019intimit\u00e9 du personnage, il ne semble y avoir rien d\u2019int\u00e9ressant. Ces yeux ombrag\u00e9s ne semblent donner ni information ni expression. <\/span>

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Calvin Ma, figure de instincts animaux<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Mais c'est de l'\u0153il int\u00e9rieur dont parle Maman, nous pouvons continuer \u00e0 regarder. Sur les c\u00f4t\u00e9s des t\u00eates de plusieurs personnages, il y a d'autres fen\u00eatres dans lesquelles nous trouvons des personnages cach\u00e9s qui nous regardent obliquement. Leurs propres t\u00eates secr\u00e8tes sont enti\u00e8rement form\u00e9es et ils surveillent depuis leurs cachettes.<\/span>
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\nCes visages inattendus qui surgissent de greniers secrets, cach\u00e9s l\u00e0 o\u00f9 on ne s'attendrait certainement pas \u00e0 les trouver, rappellent ceux d'Anne Frank, des esclaves am\u00e9ricains en fuite ou des millions d'autres qui, au fil des si\u00e8cles, ont \u00e9t\u00e9 enferm\u00e9s dans des greniers sans air pour \u00e9viter d'\u00eatre d\u00e9tect\u00e9 ou d\u00e9pass\u00e9 par les poursuivants.<\/span>
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\nLes chefs du peuple de Ma sont des maisons en eux-m\u00eames : Ma les appelle, avec pr\u00e9cision et po\u00e9sie, \u00ab casaniers \u00bb.<\/span>
\nIl n'est pas exag\u00e9r\u00e9 de consid\u00e9rer les gens dans les fen\u00eatres lat\u00e9rales comme des gens pi\u00e9g\u00e9s dans la t\u00eate de l'artiste \u2013 comme ceux pi\u00e9g\u00e9s dans la t\u00eate de Everyman. Ma parle personnellement de la question de l'anxi\u00e9t\u00e9 sociale et relie la motivation de ce travail \u00e0 sa r\u00e9alit\u00e9 de personne timide qui pr\u00e9f\u00e8re sa vie int\u00e9rieure \u00e0 la compagnie des autres. Il a trouv\u00e9 une mani\u00e8re incroyablement pr\u00e9cise et puissante d\u2019exprimer un \u00e9tat \u00e9motionnel. <\/span><\/p>\n\n\n\n\n
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Calvin Maman, \u00c9tir\u00e9 mince. <\/i><\/span>C\u00e9ramique, gla\u00e7ure, teinture, 14x6x9\u2033
Avec l'aimable autorisation de la galerie Sherrie<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Les corps casaniers ne font pas l'exp\u00e9rience du monde uniquement \u00e0 travers la perception, la vision et la pens\u00e9e. Plusieurs des personnages de l'exposition ont, comme \u00c9tir\u00e9 mince,<\/i> des portails o\u00f9 nous localisons le c\u0153ur et les tripes, d'autres endroits o\u00f9 nous savons tous que nos angoisses se manifestent par des troubles et des douleurs.<\/span>
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\nLes personnages de cette exposition sont tous associ\u00e9s \u00e0 des animaux. Vos connexions ne sont pas faciles. Les gens ont un \u00e9quilibre pr\u00e9caire, soit parce qu'ils sont aussi maladroits que le seraient les personnes ayant des articulations m\u00e9caniques, soit parce qu'il n'y a pas beaucoup de sympathie entre les esp\u00e8ces. Il se pourrait aussi que les animaux soient introvertis. Ils veulent \u00eatre seuls.<\/span>
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Calvin Maman, Tomber \u00e0 la renverse, <\/i>d\u00e9tail, renard
ventre en bas, figure humaine au-dessus.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Le d\u00e9tail de \u00ab Falling Behind \u00bb, une pi\u00e8ce qui montre un renard et une personne tombant la t\u00eate en bas, r\u00e9v\u00e8le une porte dans le ventre du renard. La plupart des animaux poss\u00e8dent ces ouvertures, mais elles sont plac\u00e9es de mani\u00e8re \u00e0 les masquer. (Ma est suffisamment m\u00e9ticuleuse pour incorporer de tels d\u00e9tails m\u00eame s'il est peu probable qu'ils soient visibles.) Cela sugg\u00e8re cependant que le lien entre les humains et les animaux ne r\u00e9side peut-\u00eatre pas dans leurs relations, mais dans l'id\u00e9e qu'ils sont tous de nature sauvage. une forme primaire. Pourquoi une cr\u00e9ature part-elle ? Les r\u00e9compenses de la soci\u00e9t\u00e9 tiennent-elles vraiment les promesses qui leur sont faites ? Notre propre entreprise est-elle si pauvre ou insultante ?<\/span>
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\nVisuellement, j'ai trouv\u00e9 ce spectacle un peu ennuyeux. Plus pr\u00e9cis\u00e9ment, j\u2019ai trouv\u00e9 que l\u2019extr\u00eame attention port\u00e9e aux d\u00e9tails, r\u00e9p\u00e9t\u00e9e si souvent et sinc\u00e8rement sur des mat\u00e9riaux de m\u00eame taille, couleurs, motifs et concepts, \u00e9tait sur le point de m\u2019ennuyer.<\/span>
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\nMais je pense que ce que j'ai trouv\u00e9 fastidieux a fini par \u00eatre l'une des plus grandes attractions du travail de Ma. \u00c0 une semaine de la fin, l'exposition \u00e9tait \u00e0 deux \u0153uvres d'\u00eatre compl\u00e8tement \u00e9puis\u00e9e, malgr\u00e9 les prix \u00e0 quatre chiffres. <\/span>
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\nLes similitudes que je trouvais \u00e0 la limite de fades font probablement partie du large attrait que le travail de Ma avait pour le public et les acheteurs. La r\u00e9p\u00e9tition des traits, des formes et des couleurs peut tr\u00e8s bien s'expliquer simplement par l'autoportrait de Ma. Il s'agit donc simplement d'une mani\u00e8re de repr\u00e9senter quelque chose qui appara\u00eet plusieurs fois. <\/span>
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\nIl est peut-\u00eatre plus probable, cependant, que le manque de distinction dramatique fasse partie du probl\u00e8me. \u00ab Nous vivons tous dans notre t\u00eate. Nous sommes accabl\u00e9s de pens\u00e9es anxieuses et de visions du monde biais\u00e9es par les vues obliques que nous prenons depuis des endroits cach\u00e9s. Nous sommes probablement comme la plupart des autres, mais la peur nous rend grands en imagination et petits. en v\u00e9rit\u00e9; notre sens des proportions est \u00e9trange.<\/span><\/p>\n\n\n\n\n
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Calvin Maman, Prendre du retard<\/i><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


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\nCe qui me ram\u00e8ne au c\u00f4t\u00e9 \u00ab d\u00e9cal\u00e9 \u00bb des personnages de Ma. Son look est d\u00e9finitivement singulier. Ils ont un look quelque peu futuriste d'un point de vue r\u00e9tro, ce qui me fait craindre une \u00e9ventuelle satisfaction avec un camp ou une esth\u00e9tique \u00e9ph\u00e9m\u00e8re. L\u2019engagement de Ma envers l\u2019artisanat et les mat\u00e9riaux att\u00e9nue cependant cette \u00e9ventuelle d\u00e9pendance excessive \u00e0 l\u2019\u00e9gard du \u00ab look \u00bb. <\/span>
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\nLe travail de Ma est chaleureusement disciplin\u00e9 : il n'\u00e9pargne aucun d\u00e9tail, peu importe le nombre de fois qu'il doit r\u00e9p\u00e9ter le m\u00eame trait dans une pi\u00e8ce, et encore moins dans une grande s\u00e9rie. Personne ne travaille ainsi dans l\u2019int\u00e9r\u00eat de l\u2019apparence, du style ou de l\u2019attitude. Cela se fait par contrainte, au moins, et par conviction, tout au plus ; pour r\u00e9soudre un probl\u00e8me ou r\u00e9v\u00e9ler un secret ; exorciser la douleur ou ouvrir un espace pour l'admission d'une certaine d\u00e9couverte. <\/span>
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\nMaman fera son chemin \u00e0 son rythme, c'est clair. Pour ma part, je peux tol\u00e9rer n\u2019importe quel r\u00e9sultat dans l\u2019int\u00e9r\u00eat d\u2019un processus honn\u00eate, plein de temps pour admettre les surprises qui surgissent en cours de route.<\/span><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Quand j'ai vu pour la premi\u00e8re fois la carte de l'exposition Sherrie Gallerie de Calvin Ma en septembre, je pouvais \u00e0 peine... <\/p>","protected":false},"author":1,"featured_media":608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/4.bp.blogspot.com\/-Ta9U0ffCgcY\/VgGJZyiuDzI\/AAAAAAAAHRU\/KVayF8aGPlI\/w1200-h630-p-k-no-nu\/LookAhead+small.jpeg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-607","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\nHomebodies de Calvin Ma, olhando de fora para dentro - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/fr\/607\/calvin-et-hobbes-deux-casaniers-qui-regardent-de-lexterieur\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Homebodies de Calvin Ma, olhando de fora para dentro - 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