{"id":605,"date":"2022-06-23T21:33:59","date_gmt":"2022-06-23T21:33:59","guid":{"rendered":"https:\/\/tirinha.com\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/"},"modified":"2022-06-23T21:33:59","modified_gmt":"2022-06-23T21:33:59","slug":"80-contemporary-artists-at-the-wexner-center-for-contemporary-art","status":"publish","type":"post","link":"https:\/\/tirinha.com\/en\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/","title":{"rendered":"80 Contemporary Artists\u201d at the Wexner Center for Contemporary Art"},"content":{"rendered":"
\n
\n\n\n\n\n
<\/td>\n<\/tr>\n
\n

Mike Bidlo
Not Picasso (Girl Before the Mirror, 1932)<\/i>1986<\/p>\n

Oil on canvas, 64.17 x 51.18 in. (163 x 130 cm)<\/p>\n

Private Collection, Courtesy Galerie Bruno Bischofberger<\/b><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

I left <\/span>After Picasso: 80 contemporary artists<\/i>, <\/i>the big show at Ohio State University's Wexner Center, thinking that for such a big show I felt very few moments of joy. I know Picasso gets pulses racing, and the exhibition builds on that: Witness His Artistic Impact<\/i>. The show is weighed down by an impact that is much, much smaller than Picasso's achievement. <\/span>Unfortunately, this academic location of influences, echoes and salutations brings us work that barely stirs the blood \u2013 and places interesting work in contexts where it seems lonely and small. In short, the show is weak on content that touches on primary human issues or emotions.<\/span>
\n
<\/span>
\nThe occasion for After Picasso <\/i>It's the 25th anniversary of Deichtorhallen Hamburg. Their celebration is this show: Huge artist and a subject that is more important in concept than the art that demonstrates it. Add loans from around the world and we have an Event.<\/span>
\n
<\/span>
\nThis show unsuccessfully tries to cater to two audiences. While it may be a home run for academics, it is a show for a general and curious audience. In its conscious effort to conceive of every possible overlap of \u201cPicasso\u201d and \u201cinfluence\u201d, it wastes the viewer's space and patience in tedious appropriations of Picasso's work; in isolated figures or composition borrowed from Picasso; and in art that reacts to Picasso's icons or styles. Rarely do we see suggestions of how an artist's vision<\/span> <\/span>achieved an inconceivable plane in a world untouched by Picasso. <\/span>
\n<\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Cindy Sherman, Untitled 280, <\/i>1989-93.
Color print, 140x94x8cm. Courtesy of
Neda Young, New York.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/span><\/p>\n

Picasso's greatness is not a problem, nor is it proven by the many demonstrations of his marks on artists who appropriate or borrow from his work. Except in an academic sense, we gain little appreciation for borrowers as creators of deeply interesting art in its own right. Our understanding of influence is further expanded by adapting some material to a curatorial narrative. Cindy Sherman's self-portrait for years shows her interest in art history broadly. Picasso's inspiration for Untitled 280<\/i> doesn't speak more to a fascination with Picasso specifically than his portraits using iconic images from a vast world of artists. <\/span>

<\/span>
\nDeichtorhallen Hamburg director Dirk Luckow writes in the preface to the catalog (translated from German),<\/span>
\u201cThe hypothesis of the exhibition is that the great influence that Picasso\u2019s art has today is because his work and his person cannot be separated\u2026\u201d<\/span>

<\/span>
\n<\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
\n

Galerie Leyendeker, Tenerife (T. \u00dc.)<\/p>\n

1985, Screenprint, 83.8 x 59.4 cm<\/p>\n

\n\u00a9 Estate of Martin Kippenberger,<\/b><\/p>\n

\n Galerie Gisela Capitain, Cologne<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

There is no doubt about Picasso's personal fame. But I'm in favor of separating the work and the person. I found that by dedicating a portion of the show to its celebrity, the curators only reinforced my sense that they were less interested in what art is and can do than its pitfalls. Picasso's ego \u2013 like any artist's \u2013 rightfully resides in his work. This has to apply to all artists. Unfortunately, I fear, we find this to be true of his imitators and satirists as well.<\/span>
\n
<\/span>The inspiration for a series of photographs by Martin Kippenberger was a photo of Picasso in his underwear, shown here on Kippenberger's show poster. In the exhibition (no images available) Kippenberger himself poses as Picasso, wearing similar shorts, at ease around an indescribable interior. Kippenberger's show, for better or worse, satirizes itself and its subject simultaneously. <\/span>
\n
<\/span>
\nIt would be easy to replace Picasso with a shirtless photo of Vladimir Putin or Whitey Bulger on a poster like this, in such a wide stance, positioned just above the viewer: The grandiose manly stance didn't start with Picasso. Only to the extent that such characteristics are inherent in Picasso's works should curators move this theme from the catalog to the gallery. It's a footnote, a strange one; pitiful or amusing, as you wish to understand it.<\/span>
\n
<\/span>
\n<\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Khaled Hourani, Picasso in Palestine, <\/i>2011. Installation view, (IAAP) Ramallah.
Courtesy of Khaled Hourani; Photo Khaled Jarar<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

When such poses are performed by armed men protecting a work of art, then we are in a much more interesting and meaningful realm. I find this photo of a project that brought a Picasso to the West Bank much more moving than the many reiterations, imitations and reinterpretations of Guernica<\/i> included in the show. Robert Longo was invited to create new work for inclusion in the exhibition, and his enormous charcoal Guernica Redacted <\/i>claims a significant position. Compared to Hourani's photos (of which this is one of several), one feels that Longo has, beyond the conceptual, no pulsating connection with war, torture or even conflict.<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
\n

\nRoberto Longo, <\/span><\/span>Redacted Guernica (After Picasso's Guernica, 1937)<\/span><\/i>2014\/2015<\/span><\/p>\n

\nCharcoal on mounted paper, four panels, <\/span>111.4 x 248 in. (283 x 630 cm)<\/span><\/span><\/p>\n

<\/span><\/p>\n

\nCourtesy Galerie Thaddaeus Ropac, Paris \u2013 Salzburg<\/span><\/span><\/p>\n


\n<\/span><\/span><\/p>\n

\n\u00a9 2015 Robert Longo \/ Artists Rights Society (ARS), New York<\/span><\/span><\/p>\n


\n<\/span><\/span>
\nView of the installation at the Wexner Center, photo: Stephen Takacs<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span>
\nRather than being stunted (or stunned) by Picasso's greatness, Hourani was genuinely inspired by Picasso's art. Furthermore, it uses <\/span>an apolitical painting by Picasso to focus its anti-war message, to make it as <\/span>localized and universal like art itself. The installation was<\/span> a complex act of creativity that not only responded to Picasso, but built on him and beyond him.<\/span>
\n
<\/span>
\n
<\/span>
\n<\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
Folkert de Jong, Les Saltimbanques: Old Son \u201cJack T.\u201d<\/i><\/span>Styrofoam, polyurethane foam and pigment;<\/span>
<\/span><\/span><\/span>69.6 x 21.6 x 19.6 in. <\/span><\/span>(176.86 x 54.94 x 49.86 cm)<\/span>
Private collection, New York.
Image courtesy of Deichtorhallen Hamburg.<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\n
<\/span>
\nThe sculpture by Folkert de Jong, <\/span>Les Saltimbanques: Old Son 'Jack T,'<\/i> is another of the highlights of the exhibition \u2013 a piece with a clear and recognized connection to Picasso, but independent of this due to its vitality. It is launched by associations, but is not limited by them. The difference in dimensions\u2014<\/span>sculpture suggested by multiple figures in a painting (<\/span>The family of saltimbanques, 1905)\u2014 <\/i>in itself frees the piece from the supposed original. De Jong's art in his <\/span><\/span><\/span><\/span>to have<\/span> <\/span>medium creates a single figure that condenses the impact of several into a solid exemplar of debilitating isolation. Like Hourani, de Jong begins with Picasso and follows his own path under his unique lights. <\/span>
\n<\/p>\n

The best works in the show, those that most clearly demonstrate Picasso's reach into the minds of later artists, appear both to the eye and to logic like those in which Picasso's images did not<\/span> <\/span>to appear. In John Stezaker's photo collages, we have one of the few opportunities in this enormous show to encounter work by an artist who so completely digested Picasso that we, as admiring spectators, would, outside of this show, probably be surprised to have him singled out in these pieces. In an exhibition with few surprises, Stezaker's work stands out, and certainly delivers the best didactic moment of the exhibition. Appropriation, celebrity and imitation aside, what have contemporary artists chosen to keep from Picasso? What about it has become unconscious\/inevitable until now?<\/span><\/p>\n\n\n\n\n
<\/td>\n<\/tr>\n
\n

\nJohn Stezaker<\/span><\/span><\/p>\n

\nWedding I<\/span><\/i>2006<\/span><\/span><\/p>\n

\nCollage<\/span><\/span><\/p>\n

\n9.25 x 11.22 in. (23.5 x 28.5 cm)<\/span><\/span><\/p>\n

\nCourtesy of Saatchi Gallery, London<\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n


<\/span>
\n\u201cMarriage 1\u201d is composed of a collage of two black and white photographs that neither match nor match. <\/span>We can study the piece constantly for long periods; it will remain the same, but we will never be sure of defining the subject (he\/she\/him), describing the spatial orientation of the image, or answering any \u201cnormal\u201d questions about identity from the image.<\/span>
\n
<\/span>
\nThe cubist perspective is invoked fluently and elegantly in the photographs. The feeling of comforting reality that the images give us is more persistent than Cubist disorientation. The eyes capture us intensely: how can we not know this person; How can it be that we are not intimately known by someone who can look at us so deeply? While the eyes provide deep focus, we assume order in everything around us. Our eyes jump around anything strange, out of place, incongruous, weird\u2026 For the better? For worse? Wedding 1<\/i>, like marriage for many, is stuck and changing. The technique, the way of seeing, was new with Picasso and his friends. The subject and its presentation via<\/span> an insight presented to the world more than a century ago are brilliantly Stezaker's. It's fresh and new and deeply informed.<\/span>
\n
<\/span>
\nI don't envy the task of planning a season at Wexner or any similar contemporary art space on a college campus. Balancing the claims of academic artists and art historians with those of an informed public\u2014including nonspecialist college students, faculty, and staff\u2014must be a delicate and difficult task. This time the pendulum has swung too far in one direction, I think. <\/span>
\n
<\/i><\/span>
\nAmong the works included, many may be secondary or irrelevant to the main themes of the individual artists' works. But even so, what is there <\/span>After Picasso: 80 contemporary artists<\/i> is clearly of genuine and legitimate interest to art historians and curators. But as the show brings with it galleries and galleries of art much less interesting than the one that inspired it \u2013 art with messages diluted from its sources \u2013 to see it is to work hard for the few rewards of content that exist. <\/span>
\n
<\/span>
\n__________________________________________<\/span>
\nMy deepest thanks to Erik Pepple, media and public relations manager at the Wexner Center for the Arts, for his extended efforts in providing special request images for this article.<\/span><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"

Mike BidloNo Picasso (Girl Before the Mirror, 1932)1986 Oil on canvas, 64.17 x 51.18 in. (163 x 130 cm) Collection\u2026 <\/p>","protected":false},"author":1,"featured_media":606,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg","fifu_image_alt":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","latest_post"],"yoast_head":"\n80 artistas contempor\u00e2neos" no Wexner Center for Contemporary Art - Tirinha.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tirinha.com\/en\/605\/80-contemporary-artists-at-the-wexner-center-for-contemporary-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"80 artistas contempor\u00e2neos" no Wexner Center for Contemporary Art - Tirinha.com\" \/>\n<meta property=\"og:description\" content=\"Mike BidloN\u00e3o Picasso (Garota Diante do Espelho, 1932)1986 \u00d3leo sobre tela, 64,17 x 51,18 pol. (163 x 130 cm) Cole\u00e7\u00e3o …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tirinha.com\/en\/605\/80-contemporary-artists-at-the-wexner-center-for-contemporary-art\/\" \/>\n<meta property=\"og:site_name\" content=\"Tirinha.com\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-23T21:33:59+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/#\\\/schema\\\/person\\\/e22bdfbe17e0461f7e927e6a1208d4d9\"},\"headline\":\"80 artistas contempor\u00e2neos” no Wexner Center for Contemporary Art\",\"datePublished\":\"2022-06-23T21:33:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/\"},\"wordCount\":1736,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/1.bp.blogspot.com\\\/-OWw1YG5l0jQ\\\/ViaM856QrMI\\\/AAAAAAAAHUM\\\/wfP7cVijU2A\\\/w1200-h630-p-k-no-nu\\\/Bidlo_Not+Picasso.jpg\",\"articleSection\":[\"Arte\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/\",\"url\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/\",\"name\":\"80 artistas contempor\u00e2neos\\\" no Wexner Center for Contemporary Art - Tirinha.com\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/1.bp.blogspot.com\\\/-OWw1YG5l0jQ\\\/ViaM856QrMI\\\/AAAAAAAAHUM\\\/wfP7cVijU2A\\\/w1200-h630-p-k-no-nu\\\/Bidlo_Not+Picasso.jpg\",\"datePublished\":\"2022-06-23T21:33:59+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#primaryimage\",\"url\":\"http:\\\/\\\/1.bp.blogspot.com\\\/-OWw1YG5l0jQ\\\/ViaM856QrMI\\\/AAAAAAAAHUM\\\/wfP7cVijU2A\\\/w1200-h630-p-k-no-nu\\\/Bidlo_Not+Picasso.jpg\",\"contentUrl\":\"http:\\\/\\\/1.bp.blogspot.com\\\/-OWw1YG5l0jQ\\\/ViaM856QrMI\\\/AAAAAAAAHUM\\\/wfP7cVijU2A\\\/w1200-h630-p-k-no-nu\\\/Bidlo_Not+Picasso.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/605\\\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tirinha.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"80 artistas contempor\u00e2neos” no Wexner Center for Contemporary Art\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/#website\",\"url\":\"https:\\\/\\\/tirinha.com\\\/\",\"name\":\"Tirinha.com\",\"description\":\"Arte e livros resenhas\",\"publisher\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tirinha.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/#organization\",\"name\":\"Tirinha.com\",\"url\":\"https:\\\/\\\/tirinha.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/tirinha.com\\\/wp-content\\\/uploads\\\/2023\\\/08\\\/cropped-Logo-Tirinha.webp\",\"contentUrl\":\"https:\\\/\\\/tirinha.com\\\/wp-content\\\/uploads\\\/2023\\\/08\\\/cropped-Logo-Tirinha.webp\",\"width\":512,\"height\":512,\"caption\":\"Tirinha.com\"},\"image\":{\"@id\":\"https:\\\/\\\/tirinha.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/#\\\/schema\\\/person\\\/e22bdfbe17e0461f7e927e6a1208d4d9\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/tirinha.com\\\/wp-content\\\/litespeed\\\/avatar\\\/d0068f7931cc87d7274eb0c3db1deb4b.jpg?ver=1776224646\",\"url\":\"https:\\\/\\\/tirinha.com\\\/wp-content\\\/litespeed\\\/avatar\\\/d0068f7931cc87d7274eb0c3db1deb4b.jpg?ver=1776224646\",\"contentUrl\":\"https:\\\/\\\/tirinha.com\\\/wp-content\\\/litespeed\\\/avatar\\\/d0068f7931cc87d7274eb0c3db1deb4b.jpg?ver=1776224646\",\"caption\":\"admin\"},\"sameAs\":[\"https:\\\/\\\/tirinha.com\"],\"url\":\"https:\\\/\\\/tirinha.com\\\/en\\\/author\\\/admin\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"80 contemporary artists at the Wexner Center for Contemporary Art - Tirinha.com","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tirinha.com\/en\/605\/80-contemporary-artists-at-the-wexner-center-for-contemporary-art\/","og_locale":"en_US","og_type":"article","og_title":"80 artistas contempor\u00e2neos\" no Wexner Center for Contemporary Art - Tirinha.com","og_description":"Mike BidloN\u00e3o Picasso (Garota Diante do Espelho, 1932)1986 \u00d3leo sobre tela, 64,17 x 51,18 pol. (163 x 130 cm) Cole\u00e7\u00e3o …","og_url":"https:\/\/tirinha.com\/en\/605\/80-contemporary-artists-at-the-wexner-center-for-contemporary-art\/","og_site_name":"Tirinha.com","article_published_time":"2022-06-23T21:33:59+00:00","og_image":[{"url":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg","type":"","width":"","height":""}],"author":"admin","twitter_card":"summary_large_image","twitter_image":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg","twitter_misc":{"Written by":"admin","Est. reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#article","isPartOf":{"@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/"},"author":{"name":"admin","@id":"https:\/\/tirinha.com\/#\/schema\/person\/e22bdfbe17e0461f7e927e6a1208d4d9"},"headline":"80 artistas contempor\u00e2neos” no Wexner Center for Contemporary Art","datePublished":"2022-06-23T21:33:59+00:00","mainEntityOfPage":{"@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/"},"wordCount":1736,"commentCount":0,"publisher":{"@id":"https:\/\/tirinha.com\/#organization"},"image":{"@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#primaryimage"},"thumbnailUrl":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg","articleSection":["Arte"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/","url":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/","name":"80 contemporary artists at the Wexner Center for Contemporary Art - Tirinha.com","isPartOf":{"@id":"https:\/\/tirinha.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#primaryimage"},"image":{"@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#primaryimage"},"thumbnailUrl":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg","datePublished":"2022-06-23T21:33:59+00:00","breadcrumb":{"@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#primaryimage","url":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg","contentUrl":"http:\/\/1.bp.blogspot.com\/-OWw1YG5l0jQ\/ViaM856QrMI\/AAAAAAAAHUM\/wfP7cVijU2A\/w1200-h630-p-k-no-nu\/Bidlo_Not+Picasso.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/tirinha.com\/605\/80-artistas-contemporaneos-no-wexner-center-for-contemporary-art\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tirinha.com\/"},{"@type":"ListItem","position":2,"name":"80 artistas contempor\u00e2neos” no Wexner Center for Contemporary Art"}]},{"@type":"WebSite","@id":"https:\/\/tirinha.com\/#website","url":"https:\/\/tirinha.com\/","name":"Comics.com","description":"Art and book reviews","publisher":{"@id":"https:\/\/tirinha.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tirinha.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/tirinha.com\/#organization","name":"Comics.com","url":"https:\/\/tirinha.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/tirinha.com\/#\/schema\/logo\/image\/","url":"https:\/\/tirinha.com\/wp-content\/uploads\/2023\/08\/cropped-Logo-Tirinha.webp","contentUrl":"https:\/\/tirinha.com\/wp-content\/uploads\/2023\/08\/cropped-Logo-Tirinha.webp","width":512,"height":512,"caption":"Tirinha.com"},"image":{"@id":"https:\/\/tirinha.com\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/tirinha.com\/#\/schema\/person\/e22bdfbe17e0461f7e927e6a1208d4d9","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/tirinha.com\/wp-content\/litespeed\/avatar\/d0068f7931cc87d7274eb0c3db1deb4b.jpg?ver=1776224646","url":"https:\/\/tirinha.com\/wp-content\/litespeed\/avatar\/d0068f7931cc87d7274eb0c3db1deb4b.jpg?ver=1776224646","contentUrl":"https:\/\/tirinha.com\/wp-content\/litespeed\/avatar\/d0068f7931cc87d7274eb0c3db1deb4b.jpg?ver=1776224646","caption":"admin"},"sameAs":["https:\/\/tirinha.com"],"url":"https:\/\/tirinha.com\/en\/author\/admin\/"}]}},"_links":{"self":[{"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/posts\/605","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/comments?post=605"}],"version-history":[{"count":0,"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/posts\/605\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/media\/606"}],"wp:attachment":[{"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/media?parent=605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/categories?post=605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tirinha.com\/en\/wp-json\/wp\/v2\/tags?post=605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}