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Organic, simple, even naive forms. the painting of Lanceolada Almudena (Seville, 1984) experienced a simplification of your reasons since she moved to Madrid and is a mother, a transition from the darker narrative, the one she worked on in her previous exhibition The monster's christening.
He then recreated ghostly places that witnessed the massive, nocturnal and anti-clerical civil baptism of 6 children – an event little recognized by current historiography and which occurred during the Civil War. Today the shine from the depiction of an animal house, he talks about a carpenter bee with no time for sadness.
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The pictorial turn now focuses on children as spectators of contemporary art and on carpenter bee everything is assembled to its height. The exhibition consists of a mural installation and some small-format paintings that illustrate a story written by the painter herself, written in a poetics of minimalism and a warm expressive simplicity.
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