MÓSTOLES/ Double encounter with theater: 'Luces de bohemia' and 'Mystery of the Christ of the Gascons'

The Escena Móstoles program, organized by the Department of Culture, returns this weekend with two new features: 'Bohemian Lights', which will arrive on Friday at the Teatro Villa de Móstoles, and 'Misterio del Cristo de los Gascones', which will be presented on Saturday at the Teatro del Bosque.

Within the Escena Crisol program, MyH Producciones arrives, on Friday, the 31st, at 8pm, at the Teatro Villa de Móstoles with the play 'Luces de bohemia', performed by Jaime Soler Huete, Maya Reyes, Antonio Ponce and Laura Carrero del Tío and with pianist on stage Irma Catalina Sánchez.

The work directed by David Martínez brings back the idea of the failure of the Restoration and the climate of progressive decadence since the crisis of 1917 which were reflected by Valle Inclán in Luces de Bohemia and which are similar to the belief that has been forming in recent years about the failure of democracy in our country.

On the other hand, On Saturday, April 1st, the Teatro del Bosque hosts the 'Mystery of Christ of the Gascons' at 7pm', a play produced by Nao d'amores and directed by Ana Zamora that represents a deep immersion in our primitive theater from an absolutely contemporary vision.

'Mystery of the Christ of the Gascons' is a free recreation of the liturgical ceremony that would be held in the Church of San Justoin Segovia, in medieval times, for which the Cristo de los Gascones was sculpted, one of the most significant pieces of Spanish Romanesque heritage.

Furthermore, the poet and resident of Móstoles Antonio J. Sánchez will present his book this Friday, the 31st, at 6:30 pm, at the City Museum “Three times a minute”in an event promoted by the Spanish Association of Friends of Poetry (ASEAPO).

“Three times per minute” is a collection of poems that falls under the concept of “metapoetry”, where the author, with extraordinary simplicity, collects moments, experiences, experiences that reach the reader easily. His direct and natural language fills the pages with fresh, clean poetry and clear mastery of the genre.

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